“When Pushkin - who was in the position of having to think what form a national culture might take - called for a dispassionate criticism, he wasn't calling for help in writing poems, which he could do all by himself. He was merely stated his wish to write them in a civilized atmosphere, whose absence was reducing him to isolation, and thereby damaging his individuality.”

'A Death in Life'
Essays and reviews, Snakecharmers in Texas (1988)

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Clive James151

Australian author, critic, broadcaster, poet, translator an… 1939–2019

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“Thereafter, when he himself was dead, he imagined that his poems would be published in some mysterious way, and the nation would read them for comfort in adversity, as it had read the poems of other poets before him; it was his highest wish that his poems could help those as unfortunate as himself to have patience to endure.</b”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

“Tennyson follows his feelings in creating each line. He follows the music in his head. If you had asked him, at the end of the day, to describe the prosody of the poem to you, he would no doubt have had to think for a moment before he could answer you, not because he was ignorant of the terms, but because he had been writing a poem, not a metrical exercise. At every point, he was exerting his free will. And the outcome of that exertion was the form.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 4: The Sense of Form (pp. 24-25)

“He who would not be frustrate of his hope to write well hereafter in laudable things ought himself to be a true poem.”

John Milton (1608–1674) English epic poet

Apology for Smectymnuus (1642)

“But how can he expect that others should
Build for him, sow for him, and at his call
Love him, who for himself will take no heed at all?”

William Wordsworth (1770–1850) English Romantic poet

Stanza 6.
Resolution and Independence (1807)

“The seeker after the truth is not one who studies the writings of the ancients and, following his natural disposition, puts his trust in them, but rather the one who suspects his faith in them and questions what he gathers from them, the one who submits to argument and demonstration, and not to the sayings of a human being whose nature is fraught with all kinds of imperfection and deficiency. Thus the duty of the man who investigates the writings of scientists, if learning the truth is his goal, is to make himself an enemy of all that he reads, and, applying his mind to the core and margins of its content, attack it from every side. He should also suspect himself as he performs his critical examination of it, so that he may avoid falling into either prejudice or leniency.”

Alhazen (965–1038) Arab physicist, mathematician and astronomer

Alhazen, quoted in “Muslim Journeys.” Bridging Cultures Bookshelf: Muslim Journeys. N.p., n.d. Web. 01 Nov. 2013. Also in Ibn al-Haytham Brief life of an Arab mathematician: died circa 1040 (September-October 2003) http://harvardmagazine.com/2003/09/ibn-al-haytham-html

“No kingdom can be secured otherwise than by arming the people. The possession of arms is the distinction between a freeman and a slave. He, who has nothing, and who himself belongs to another, must be defended by him, whose property he is, and needs no arms. But he, who thinks he is his own master, and has what he can call his own, ought to have arms to defend himself, and what he possesses; else he lives precariously, and at discretion.”

James Burgh book Political Disquisitions

ch III: A Militia, with Navy
Political Disquisitions (1774)

“If, in the middle of World War II, a general could be writing a poem, then maybe I was not so irrelevant after all. Maybe the general was doing more for victory by writing a poem than he would be by commanding an army. At least, he might be doing less harm.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Acceptance speech for the 1970 National Medal for Literature, New York, New York (2 December 1970)
Context: If, in the middle of World War II, a general could be writing a poem, then maybe I was not so irrelevant after all. Maybe the general was doing more for victory by writing a poem than he would be by commanding an army. At least, he might be doing less harm. By applying the same logic to my own condition, I decided that I might be relevant in what I called a negative way. I have clung to this concept ever since — negative relevance. In moments of vain-glory I even entertain the possibility that if my concept were more widely accepted, the world might be a better place to live in. There are a lot of people who would make better citizens if they were content to be just negatively relevant.

“If man acted unkindly toward non-human beings only when he had to do so in order to avoid harm to himself—if he were as economical in his injuries to others as he would be if he had to endure them himself—the violence which to-day marks his dominion of the planet would be reduced to a mere vestige of what it is.”

J. Howard Moore (1862–1916)

Source: The New Ethics (1907), The Perils of Over-population, p. 155

“He who would write heroic poems should make his whole life a heroic poem.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Life of Schiller.
1820s, Critical and Miscellaneous Essays (1827–1855)

“When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem.”

Richard Wilbur (1921–2017) American poet

National Book Award Acceptance Speech (1957)
Context: When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.

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Clive James151

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