“For seven blissful years I had spent my time reading, writing and researching a book about introversion. But the publication date had arrived, the idyll was over and my metamorphosis was complete. I was now that impossibly oxymoronic creature: the Public Introvert.”

— Susan Cain

Essay: "An Introvert Steps Out," "Sunday Book Review" section of The New York Times, online April 27, 2012 and in print April 29, 2012.

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Susan Cain 50

self-help writer 1968

Alan Axelrod (1952) American historian

Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.

““To write my essay I had to read books differently, without giving myself over to either fear or adoration. ””

Tara Westover book Educated

“Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death.”

John Green book The Fault in Our Stars

Hazel Grace Lancaster, p. 3 (opening words)
The Fault in Our Stars (2012)

“I was responsible to no one, I had no need mumble excuses or lies. I would become someone else and my metamorphosis would be so complete that no one I’d met over the past fifteen years would be able to recognize me.”

Patrick Modiano (1945) French writer

116
Out Of The Dark (1995)

“I have spent 20 years writing these books. Had I wanted to say men are beasts and scream, that takes 30 seconds.”

Andrea Dworkin (1946–2005) Feminist writer

Modern Times Interview of Andrea Dworkin With Larry Josephson, on "Modern Times" (American Public Radio, 1992) (radio program) (transcript of tape (end of tape missing)) http://www.andreadworkin.com/audio/moderntimes.html, as accessed Sep. 5, 2010.

“[On book reviewing] I will only turn down a book if I know I won't be able to muster enough interest to read the bloody thing. Or if I realize that I despise the author, and that I'm just going to become hysterical in my dispraise. A couple of times in my life I've disobeyed my own rule, and later regretted it. […] It's a delicate business. All too often, if one writes a favorable notice, it's seen as a product of the old-boy network, and if one dispraises a book, it's seen as envy. Nobody seems able to accept that I review books as a book reviewer, not as a competing novelist. When I review, I'm being as honest as I can. And I'm saying to the reading public — the minuscule segment of the reading public that reads reviews — that this is my judgment.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

“… I had spent my time counterfeiting eternity…”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

“I love writing, but I feel like you need time to really get in touch with yourself to do that. On [Metamorphosis], I would have liked to have had more time to work with the writers [and] write some more of my own stuff. Hopefully I can do that on my second album.”

Hilary Duff (1987) American actress and singer

Rosen, Craig. "Hilary Duff: A Performer's Metamorphosis" http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2076149. Billboard. January 26 2004. Retrieved October 25 2006.
On Metamorphosis (2003), her second album and first non-holiday album.

“No. I have run away from a lot of publicity. I have tried my best to come back to my desk again. I needed a peaceful corner of my own for my next work. But it took time. Now I am adjusting myself to these new circumstances. I will try to write my next book as soon as possible.”

Han Kang (1970) South Korean writer

On the issue of her publicity in "Korea's Kafka? Man Booker winner Han Kang on why she turns a woman into a plant" in Deutsche Welle (September 12, 2016) https://www.dw.com/en/koreas-kafka-man-booker-winner-han-kang-on-why-she-turns-a-woman-into-a-plant/a-19543017

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

“For seven blissful years I had spent my time reading, writing and researching a book about introversion. But the publication date had arrived, the idyll was over and my metamorphosis was complete. I was now that impossibly oxymoronic creature: the Public Introvert.”

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Susan Cain 50

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