“I often used to sit and view the moon for a long time; and in the day spent much time in viewing the clouds and sky, to behold the sweet glory of God in these things: in the mean time, singing forth, with a low voice, my contemplations of the Creator and Redeemer. And scarce any thing, among all the works of nature, was so sweet to me as thunder and lightning; formerly nothing had been so terrible to me. Before, I used to be uncommonly terrified with thunder, and to be struck with terror when I saw a thunder-storm rising; but now, on the contrary, it rejoiced me. I felt God, if I may so speak, at the first appearance of a thunderstorm; and used to take the opportunity, at such times, to fix myself in order to view the clouds, and see the lightnings play, and hear the majestic and awful voice of God's thunder, which oftentimes was exceedingly entertaining, leading me to sweet contemplations of my great and glorious God. While thus engaged, it always seemed natural for me to sing, or chant forth my meditations; or to speak my thoughts in soliloquies with a singing voice.”

— Jonathan Edwards

"Personal Narrative" (1739), from The Works of President Edwards (1830) Vol. I, edited by Sereno B. Dwight.

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Jonathan Edwards 79

Christian preacher, philosopher, and theologian 1703–1758

Albert Cohen (1895–1981) Swiss writer

Le livre de ma mère [The Book of My Mother] (1954)

“There was a god or goddess of wind, rain, lightning, thunder, clouds, stars, sun, and of course, the moon goddess, and they all more or less worked under SkyMaker.”

Jane Roberts (1929–1984) American Writer

Source: Emir's Education In The Proper Use of Magical Powers (1979), p. 50

“I was surprised by photography, which we all use so massively every day. Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting, but use painting as a means to photography.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

“Of course we were in the spirit when we had the view, for no man can behold the face of an angel, except in a spiritual view, but we were in the body also, and everything was as natural to us, as it is at any time.”

David Whitmer (1805–1888) Book of Mormon witness

Letter of David Whitmer to Anthony Metcalf, March 1887. Quoted in Richard Lloyd Anderson, Investigating the Book of Mormon Witnesses (Salt Lake City: Deseret Book Company, 1981), p. 86.

“On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts
Context: On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit.
The landscape is peaceful, simple, empty; it fills us with a great quivering. Marie is so sad and so simple that you can see her thought.
I have leaned forward, my elbows on my knees. I have contemplated the gravel at my feet; and suddenly I start, for I understand that my eyes were looking for the marks of our footsteps, in spite of the stone, in spite of the sand.
After the solemnity of a long silence, Marie's face takes on a look of defeat, and suddenly she begins to cry. The tears which fill her — for one always weeps in full, drop on to her knees. And through her sobs there fall from her wet lips words almost shapeless, but desperate and fierce, as a burst of forced laughter.
"It's all over!" she cries.

“For me, Deism doesn't work because I find I can only think of a creator in human terms, and the concept of a human-like creator of muons and neutrinos has no meaning for me. But more profoundly, Deism spoils my covenant with Mystery. To assign attributes to Mystery is to disenchant it, to take away its luminance. I think of the ancients ascribing thunder and lightning to godly feuds, and I smile. The need for explanation pulsates in us all.”

Ursula Goodenough book The Sacred Depths of Nature

Source: The Sacred Depths of Nature (1998), p. 11

“I have often been asked to be fair and view a matter from all sides. I did so, hoping something might improve if I viewed all sides of it. But the result was the same. So I went back to viewing things only from one side, which saves me a lot of work and disappointment. For it is comforting to regard something as bad and be able use one's prejudice as an excuse.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

“Well, you know I used to play piano for the church. You know that spiritual, 'Give Me that Old Time Religion', most churches just say, [sings] "Give me that old time religion" but I did, [sings] "Give me that old time, talkin' 'bout religion," you know I put that little thing in it you know, I always did have that thing but I didn't know what to do with the thing I had. So the style has always been with me… I always had my little thing I wanted to let the world hear, you know.”

Little Richard (1932) American pianist, singer and songwriter

When asked what inspired him to write 'Tutti Frutti' amd where the style came from, in The Rolling Stone Interviews: 1967-1980 (1989) edited by Peter Herbst, p. 91.

“Speak low to me, my Saviour, low and sweet,
From out the hallelujahs, sweet and low,
Lest I should fear, and fall, and miss Thee so,
Who art not missed by any that entreat.”

Elizabeth Barrett Browning (1806–1861) English poet, author

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 247.

“There's a bower of roses by Bendemeer's stream,
And the nightingale sings round it all the day long;
In the time of my childhood 'twas like a sweet dream,
To sit in the roses and hear the bird's song.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Part II.
Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part I-III: The Veiled Prophet of Khorassan

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