“The first indication of one's status as a nature poet is that one does not invoke language right off when talking about poetry.”
Baler Twine
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Don McKay 10
Canadian poet 1942Related quotes
“We talk so abstractly about poetry because all of us are usually bad poets.”
“When they talk about legal status, that's code for second-class status.”
May 5, 2015
Presidential campaign (April 12, 2015 – 2016)
Methodology of the Oppressed (2000), p. 17
“When you meet a swordsman, draw your sword: Do not recite poetry to one who is not a poet.”
Source: The 48 Laws of Power
“The Obscurity of the Poet”, p. 3
Poetry and the Age (1953)
Context: When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i. e., that he is difficult, i. e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.
“One may quote bad poetry if it is by a great poet.”
On peut citer de mauvais vers, quand ils sont d'un grand poète.
Letter 4: Le Vicomte de Valmont to la Marquise de Merteuil. Trans. P.W.K. Stone (1961). http://fr.wikisource.org/wiki/Les_Liaisons_dangereuses_-_Lettre_4
Les liaisons dangereuses (1782)
Sorley MacLean, 1982, quoted in Krause, Corinna. Eadar Dà Chànan: Self-Translation, the Bilingual Edition and Modern Scottish Gaelic Poetry https://www.era.lib.ed.ac.uk/bitstream/handle/1842/3453/Krause2007.pdf?sequence=1&isAllowed=y
Letters and interviews