“Without art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.”

—  Friedrich Nietzsche

Sec. 78
The Gay Science (1882)

Adopted from Wikiquote. Last update Oct. 1, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Without art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is c…" by Friedrich Nietzsche?
Friedrich Nietzsche photo
Friedrich Nietzsche 655
German philosopher, poet, composer, cultural critic, and cl… 1844–1900

Related quotes

Auguste Rodin photo

“Were this thoroughly understood, industrial art would be entirely revolutionized — industrial art, that barbarous term, an art which concerns itself with commerce and profit.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 125

Abraham Joshua Heschel photo

“In our daily lives we attend primarily to that which the senses are spelling out for us: to what the eyes perceive, to what the fingers touch. Reality to us is thinghood, consisting of substances that occupy space; even God is conceived by most of us as a thing. The result of our thinginess is our blindness to all reality that fails to identify itself as a thing, as a matter of fact.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Prologue p. 5
The Sabbath (1951)

Jacques Derrida photo

“At the end of Being and Nothingness, … Being in-itself and Being for-itself were of Being; and this totality of beings, in which they were effected, itself was linked up to itself, relating and appearing to itself, by means of the essential project of human-reality. What was named in this way, in an allegedly neutral and undetermined way, was nothing other than the metaphysical unity of man and God, the relation of man to God, the project of becoming God as the project constituting human-reality. Atheism changes nothing in this fundamental structure.”

Jacques Derrida book Specters of Marx

"The Ends of Man," Margins of Philosophy, tr. w/ notes by Alan Bass. The University of Chicago Press. Chicago, 1982. (original French published in Paris, 1972, as Marges de la philosophie). p. 116
Specters of Marx (1993), 1970s

Cesare Pavese photo

“I started explaining to her that nothing is vulgar in itself but that talking and thinking make it so.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

Source: The Beach (1941), Chapter 6, p. 36

Vilfredo Pareto photo

“Assume that the new elite were clearly and simply to proclaim its intentions which are to supplant the old elite; no one would come to its assistance, it would be defeated before having fought a battle. On the contrary, it appears to be asking nothing for itself, well knowing that without asking anything in advance it will obtain what it wants as a consequence of its victory.”

Vilfredo Pareto book Manual of Political Economy

page 92.
Manual of Political Economy

“[It] would have been all the easier [if] the entire story of the scar had been presented as a recollection which awakens in Odysseus’ mind at this particular moment. It would have been perfectly easy to do; the story of the scar had only to be inserted two verses earlier, at the first mention of the word scar, where the motifs “Odysseus” and “recollection” were already at hand. But any such subjectivistic‐perspectivistic procedure, creating a foreground and background, resulting in the present lying open to the depths of the past, is entirely foreign to the Homeric style; the Homeric style knows only a foreground, only a uniformly illuminated, uniformly objective present.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 7

Jean Metzinger photo

“I wanted an art that was faithful to itself [loyal] and would have nothing to do with the business of creating illusions. I dreamed of painting glasses from which no-one would ever think of drinking, beaches that would be quite unsuitable for bathing, nudes who would be definitively chaste. I wanted an art which in the first place would appear as a representation of the impossible.”

Jean Metzinger (1883–1956) French painter

Cubism was born

“The world in which we live is very nearly incomprehensible to most of us. There is almost no fact …that will surprise us for very long, since we have no comprehensive and consistent picture of the world which would make the fact appear as an unacceptable contradiction.”

Neil Postman (1931–2003) American writer and academic

Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)
Context: The world in which we live is very nearly incomprehensible to most of us. There is almost no fact... that will surprise us for very long, since we have no comprehensive and consistent picture of the world which would make the fact appear as an unacceptable contradiction.... in a world without spiritual or intellectual order, nothing is unbelievable; nothing is predictable, and therefore, nothing comes as a particular surprise.... The medieval world was... not without a sense of order. Ordinary men and women... had no doubt that there was such a design, and their priests were well able, by deduction from a handful of principles, to make it, if not rational, at least coherent.... The situation we are presently in is much different.... sadder and more confusing and certainly more mysterious.... There is no consistent, integrated conception of the world which serves as the foundation on which our edifice of belief rests. And therefore... we are more naive than those of the Middle Ages, and more frightened, for we can be made to believe almost anything.

Gerhard Richter photo

“When we describe a process, or make out an invoice, or photograph a tree, we create models; without them we would know nothing of reality and would be animals. Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.”

Gerhard Richter (1932) German visual artist, born 1932

in text for catalogue of documenta 7, Kassel, 1982; as cited on collected quotes on the website of Gerhard Richter: on 'Abstract paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/abstract-paintings-7
1980's

Related topics