Interviewed https://www.youtube.com/watch?v=9WgStC6fvtM by Gary E. Park (circa 1964).
1964
“.. But it doesn't frighten me, because I studied in France, thank God, and I know of no artist in history who was not 'literary' when it came down to it. Not a single one. And even if they don't appear to be, I know of none and you at least don't recall them, because there is nothing to recall... Sometime or other I'd like to see a << pure >> artist, but I didn't even find one in France. Obviously the trouble is that one approaches painting from the other side, so that the word << sujet >> conceals the point of the thing. Yet even the most beautiful and << emptiest >> sujet (an apple, a grape or any << non-figurative painting >>) doesn't help if there are no foundations, either innate or acquired through hard work... Why don't we say clearly: << That is freedom, and this is commitment to the subject >> and << to each tree its berries >>, but let it be a tree and not a donkey..”
Quote in Chagall's letter to A. N. Benois, 1918; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 150
1910's
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Marc Chagall 35
French artist and painter 1887–1985Related quotes

Quote in his letter to Theo, from Amsterdam, 30 April 1885, http://vangoghletters.org/vg/letters/let497/letter.html
Vincent refers to his famous painting Eaters' https://upload.wikimedia.org/wikipedia/commons/1/12/Vincent_van_Gogh_-_The_potato_eaters_-_Google_Art_Project.jpg'Potato
1880s, 1885

as quoted by Joseph A. Harriss, in 'The Elusive Marc Chagall', - the 'Smithsonian Magazine', December 2003 https://www.smithsonianmag.com/arts-culture/the-elusive-marc-chagall-95114921/
after 1930

Kelly Osbourne, in Harry Shaw, Bruce Kavanagh (2004) The Osbournes "Talking": The Osbournes in Their Own Words, Omnibus Press, ISBN 1844494047, p. 76.
About

George Washington Carver: In His Own Words http://books.google.es/books?id=JcncXGNSJQQC&hl=es&source=gbs_navlinks_s (1991), edited by Gary R. Kremer, University of Missouri Press, p. 131