Source: Outside Ethics (2005), pp. 8-9.
As quoted in For Lovers of God Everywhere: Poems of the Christian Mystics (2009) by Roger Housden, p. 78
Source: Who Is Man? (1965), Ch. 5
Grassé, Pierre Paul (1977); Evolution of living organisms: evidence for a new theory of transformation. Academic Press, p. 2-3
Evolution of living organisms: evidence for a new theory of transformation (1977)
Kunnumpuram, Kurien, 2011 “Theological Exploration,” Jnanadeepa: Pune Journal of Religious Studies 14/2 (July-Dec 2011)
On God
Source: The Self-Overcoming of Nihilism (1990), p. 163
Source: Facing Reality (1970), p. 83
Context: I believe that there is a fundamental mystery in my existence, transcending any biological account of the development of my body (including my brain) with its genetic inheritance and its evolutionary origin. … I cannot believe that this wonderful gift of a conscious existence has no further future, no possibility of another existence under some other unimaginable conditions.
Source: One-Dimensional Man (1964), p. xliii
"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.
