
Source: 1960's, The Bride and the Bachelors, (1962), p. 3
Quote of Naum Gabo (1962), as cited in: Joseph Goguen (1999) Art and the Brain. p. 76
1936 - 1977
Source: 1960's, The Bride and the Bachelors, (1962), p. 3
Source: 1960s, "Specific Objects," 1965, p. 75; Cited in: Diane Waldman. Carl Andre https://archive.org/stream/carlandre00wald#page/6/mode/1up. Published 1970 by Solomon R. Guggenheim Museum in New York. p. 6
Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15
Quote, 1914, from: Foreword
1970s, Some Memories of Drawings (1976)
Joseph Kosuth in: Arthur R. Rose, “Four Interviews,” Arts Magazine (February, 1969).
Tàpies is citing here Llull
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 12
insisting on his 'magma works' like 'Montseny-Montnegre' and 'Díptic amb dues formes corbes' (Diptych with Two Curved Shapes), 1988.
1981 - 1990
[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About
Source: Game Theory and Canadian Politics (1998), Chapter 3, Stalemate At Lubicon Lake, p. 54.
Actually both positions are implicit in the paintings, so you don't have to choose.
The Insiders, Rejection en Rediscovery of Man in the Arts of our Time, Selden Rodman, Baton Rouge, Louisiana State University Press, 1960, Chapter 6.
1960s
RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911