
1920s, Viereck interview (1929)
In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".
1920s, Viereck interview (1929)
Source: https://www.ivory-ng.com/n15000-ended-university-education-bisola-aiyeola/ Bisola sharing her down moments in an interview with NAIJ.com
An Open Letter To Miles Davis (1955)
Context: I think my own way. I don't think like you and my music isn't meant just for the patting of feet and going down backs. When and if I feel gay and carefree, I write or play that way. When I feel angry I write or play that way — or when I'm happy, or depressed, even.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever. Music is, or was, a language of the emotions. If someone has been escaping reality, I don't expect him to dig my music, and I would begin to worry about my writing if such a person began to really like it. My music is alive and it's about the living and the dead, about good and evil. It's angry, yet it's real because it knows it's angry.
Huffington Post (10 November 2011) "Professor Rights Group Condemns CU-Boulder Firings Of Ward Churchill, Phil Mitchell In New Report" http://www.huffingtonpost.com/2011/11/09/ward-churchill-phil-mitch_n_1084465.html by Matt Ferner
Context: I retract nothing. What I said has been validated beyond my wildest expectations, to tell you the truth, so let's just say that I rest my case. A lot of people were outraged by my remark, of course, but … the people upset were the fucking Eichmanns. Look in the mirror and own it, guys. You identified yourselves by frothing at the mouth for being called by your right name.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 217.
“You got a lotta nerve to say you are my friend. When I was down, you just stood there grinning.”
Song lyrics, Highway 61 Revisited (1965), Positively 4th Street