“The manuscript shaped medieval literary conventions at all levels.”

Source: 1960s, The Gutenberg Galaxy (1962), p. 99

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Marshall McLuhan416

Canadian educator, philosopher, and scholar-- a professor … 1911–1980

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

“What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 3, 79

“I was 8 or 9 when I had a sighting of a disk-shaped craft that convinced me that it was certainly not an airplane or anything conventional.”

Steven M. Greer (1955) American ufologist

Source: Quoted in: Researcher's Close Encounters Convince Him Of Extraterrestrials The Virginian-Pilot, Roy A. Bahls, http://nl.newsbank.com/nl-search/we/Archives?p_product=VP&p_theme=vp&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAFF84CB5EACDC1&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM (22 March 1995)

“Ernest Bramah's China, then, is the fantastic bogus China of convention, not the real historical thing at all. He wrote of it in a prose so perfectly conceived that it becomes a miracle of style. As Hilaire Belloc once observed, the sly humor and philosophy of Bramah's stories is a trick he achieves by pretending to adapt the flavor of Chinese literary conventions into the English. But the thing I love most about the tales is their irony and the brilliance of their wit.”

Ernest Bramah (1868–1942) English author

Lin Carter Discoveries in Fantasy (London, 1974) pp. 5-6.
Criticism

“Conventions of generality and mathematical elegance may be just as much barriers to the attainment and diffusion of knowledge as may contentment with particularity and literary vagueness… It may well be that the slovenly and literary borderland between economics and sociology will be the most fruitful building ground during the years to come and that mathematical economics will remain too flawless in its perfection to be very fruitful.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1948) "Samuelson's Foundations: The Role of Mathematics in Economics," In: Journal of Political Economy, Vol 56 (June). as cited in: Peter J. Boettke (1998) " James M. Buchanan and the Rebirth of Political Economy http://publicchoice.info/Buchanan/files/boettke.htm". Boettke further explains "Boulding's words are even more telling today than they were then as we have seen the fruits of the formalist revolution in economic theory and how it has cut economics off from the social theoretic discourse on the human condition." <br class="br">1940s

“The attention that literary artists have lavished on Spinoza is remarkable. Writers have not only shaped their aesthetics by reflection on Spinoza, have not only inserted his views into the inner lives and dialogues of their characters, but have molded the man himself into a protagonist in their novels, poems, and plays. This last aspect of the literary fascination with Spinoza is particularly noteworthy. The person of Benedictus Spinoza has drawn, over the centuries, unusual attention, and not only from literary writers.”

Baruch Spinoza (1632–1677) Dutch philosopher

Rebecca Goldstein, in her article 'Literary Spinoza,'. In: The Oxford Handbook of Spinoza, edited by Michael Della Rocca (Oxford: Oxford University Press, 2017)
G - L

“There is no more consensus on what justice means than there is on the character of the good. If anything, there is less. Among the virtues, justice is one of the most shaped by convention. For that reason it is among the most changeable.”

John Gray (1948) British philosopher

'Modus Vivendi' (p.34)
Gray's Anatomy: Selected Writings (2009)

“A political convention is after all not a meeting of a corporation's board of directors; it is a fiesta, a carnival, a pig-rooting, horse-snorting, band-playing, voice-screaming medieval get-together of greed, practical lust, compromised idealism, career-advancement, meeting, feud, vendetta, conciliation, of rabble-rousers, fist fights (as it used to be), embraces, drunks (again as it used to be) and collective rivers of animal sweat.”

Norman Mailer book The Presidential Papers

The Presidential Papers (1963)

“Another important point which you so very accurately sensed concerns the idea that the glass in actual fact is not meant to be looked at (with 'aesthetic' eyes). It should be accompanied by a 'literary' text, as amorphous as possible, which never took shape. And the two elements, glass for the eyes, text for the ears and understanding, should complement each other and above all prevent one or the other from taking on an aesthetic-plastic or literary form. All in all, I am hugely indebted to you for having stripped bare my Bride stripped bare”

Marcel Duchamp (1887–1968) French painter and sculptor

the complete title is: The Bride Stripped Bare by her Bachelors, Even (The Large Glass), c. 1915 – 1923
Quote from a letter to fr:Jean Suquet (art historian), New York 25 December 1949; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 163
1921 - 1950

“What better emblem for our nation, after all, than a level playing field, shaped like an octagon, where people of diverse cultural ass-kicking traditions can meet as equals and immediately start kicking ass.”

John Hodgman book The Areas of My Expertise

June 11, 2007
The Areas of My Expertise (2005), Appearances on The Daily Show with Jon Stewart

“The manuscript shaped medieval literary conventions at all levels.”

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Marshall McLuhan416

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