The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
“My teaching, if that is the word you want to use, has no copyright. You are free to reproduce, distribute, interpret, misinterpret, distort, garble, do what you like, even claim authorship, without my consent or the permission of anybody.”
Copyright release found in this and several other publications of his conversations (note: copyright restrictions apply)
The Mystique of Enlightenment (1982)
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U.G. Krishnamurti 40
Indian philosopher 1918–2007Related quotes
Message on mimeographed copies of lyrics distributed to fans in the 1930s, as quoted by Pete Seeger in an NPR interview "Pete Seeger remembers Woody" (1996)
Context: This song is Copyrighted in U. S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin it without our permission, will be mighty good friends of ours, cause we don't give a darn. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do.
OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?
Interview of Robert Kraft by Patrick McCray on August 1-2, 2002 http://www.aip.org/history/ohilist/25490.html, Niels Bohr Library & Archives, American Institute of Physics.
Television broadcast (15 June 1970), quoted in John Campbell, Edward Heath (London: Jonathan Cape, 1993), p. 278.
Leader of the Opposition
Source: after 2000, Doubt and belief in painting' (2003), p. 51, note 60