“I am grateful for the [financial] assistance I received last year [1955] through the Helene Wurlitzer Foundation. It gave me the materials I needed and a certain amount of security and enabled me to make a very good try for my New York show. This did not succeed but Miss Betty Parsons whose gallery I will eventually show in assured me that in one more year she thought I could make it, which is not discouraging... I painted all together one hundred canvasses of which I had a good opinion and sold seven”

— Agnes Martin

in a year
In a letter to Helene Wurlitzer, late 1956; as quoted by Christina Bryan Rosenberger, in Drawing the Line: The Early Work of Agnes Martin, Univ of California Press, July 2016, p. 88
1950's

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Agnes Martin 48

American artist 1912–2004

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“I came back sophomore year and decided to do some shows because I did one small play senior year of high school and I had a lot of fun. I had one line, I think. I did an audition for a show; it was experimental theater and we had a great time. For my second show, I had a great role and a great time and my aunt came to see the show. I’m doing shows just to meet folks at this point, so that I could figure out what I want to do. When she saw the show, she said, “You know what? You may want to think about this as a career! You’re really good!””

Courtney B. Vance (1960) American actor

Alumni Spotlight: Courtney B. Vance http://www.thecrimson.com/article/2016/10/18/alumni-spotlight-courtney-vance/, The Harvard Crimson (October 18, 2016)

“I wish I could paint more... I do dozens of sketches for oils.... if I do one that interests me I go on to make a painting but that happens only two or three times a year.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Quote in 'Travelling Man', Time January 1948
1941 - 1967

“If tomorrow never comes,
Will she know how much I loved her?
Did I try in every way to show her every day
That she's my only one?
And if my time on earth were through,
And she must face the world without me,
Is the love I gave her in the past
Gonna be enough to last?
If tomorrow never comes.”

Garth Brooks (1962) American country music artist

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“I feel sure that the police are helping us more than I could do in ten years. They are making more anarchists than the most prominent people connected with the anarchist cause could make in ten years. If they will only continue I shall be very grateful; they will save me lots of work”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches

"Arrest in Chicago of Emma Goldman, Preacher of Anarchy." http://chroniclingamerica.loc.gov/lccn/sn85066387/1901-09-11/ed-1/seq-1/, San Francisco Call 11 Sept. 1901 The San Francisco call. (San Francisco [Calif.]), 11 Sept. 1901. Chronicling America: Historic American Newspapers. Lib. of Congress.]

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow." And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.”

Steven Wright (1955) American actor and author

Interviews

“Last year I asked too much of my strength. I can't go on like this. it was not possible for me, I had to step back, I didn't make anything but stones [about his paintings? ] … They wanted to see beautiful paintings but I still couldn't make them, one illusion disappears for the other. I have made Cold reality, and I have made Truth. Is there a truth, also the cold reality is a truth. What exists between them was [only] baroque convention. I threw away everything in the stove... I am messing up my time with them; what is nothing more than material is no art to me; I could not bring it out..”

Matthijs Maris (1839–1917) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Ik heb verleden jaar een beetje te veel van mijn krachten gevergd, ik kan dat niet volhouden, het was mij niet mogelijk, ik moest weder terug, ik heb niets zitten maken als steenen [over zijn schilderijen?].. .Zij hebben van mij mooie schilderijen willen zien en ik heb ze nog niet kunnen maken, de eene illusie verdwijnt voor de andere, ik heb de koude werkelijkheid gemaakt, en ik heb de Waarheid gemaakt. Is er een waarheid, de koude werkelijkheid is ook een waarheid. Wat daartusschen ligt was baroque conventie. Ik heb alles in de kachel gestopt.. ..ik zit er mijn tijd op te verknoeien; wat materieel is, is voor mij geen kunst. Ik heb die er niet uit kunnen brengen.
in a letter to E. Goossens van Eijndhoven, c. 1886, published in Onze Kunst, 1918, p. 136; as cited in 'Matthijs Maris' in Palet serie; een reeks monografieën over Hollandsche en Vlaamsche schilders https://archive.org/details/paletserieeenree4amstuoft, dr. H. E. v. Gelder; H. J. W. Becht, Amsterdam, pp. 13-14
Matthijs was that year painting his famous work 'The Bride, or Novice taking the Veil / De Kerkbruid' https://en.wikiquote.org/wiki/Matthijs_Maris#/media/File:Matthijs_Maris_The_Bride,_or_Novice_taking_the_Veil,_c_1887.jpg

“I am making a good fight for the old country & there is no one but me who could do it.”

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Quoted in Frances Stevenson's diary entry (11 March 1919), A. J. P. Taylor (ed.), Lloyd George: A Diary (London: Hutchinson, 1971), p. 171
Prime Minister

“[David Sylvester asked Gottlieb, he is aware of the impact of the city New York on his painting:] Definitely I am. When I was in Paris last spring, my original plan was to go for four months and to paint there, and a number of people urged me to stay. That wanted to see what would happen, how my painting would change. But I felt strongly after being there less than a month that it was necessary for me to come back to New York, because I feel a certain rhythm in New York I don't feel in Paris.... there is a tempo in the life of New York which is exhilarating and I feel that this gets into one's painting. It's the pulse, not the look. I'am not involved with the external appearance of the city; it’s the vibrations. ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 33
1960s

“Now I am weary and I can no longer tell good from Evil, and I need someone to show me the way.”

Jean Paul Sartre The Flies

Orestes to Electra, Act 2
The Flies (1943)

“I am not surprised that men are not thankful to me; but I wonder that they are not grateful to God for the good which he has made me the instrument of conveying to my fellow-creatures.”

Edward Jenner (1749–1823) English physician, scientist and pioneer of vaccination

The Life of Edward Jenner: With Illustrations of His Doctrines, and Selections from His Correspondence https://books.google.com.mx/books?id=7K9iwCjoUgkC&printsec=frontcover#v=onepage&q&f=false, Vol. 2 (1838), by John Baron, p. 295

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Agnes Martin 48

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