Sergei Rachmaninoff quote: “Technically he was highly gifted, but also severely limited. His music is well constructed and effective, but monotonou…”

“The national passion for secular music admitted of little or no abatement by the disgrace and dispersion of the minstrels. Professional musicians, both vocal and instrumental, were afterwards retained at the court, and also in the mansions of the nobility. In the sixteenth century, a knowledge of music was considered as a genteel accomplishment for persons of high rank. Henry VIII not only sang well, but played upon several sorts of instruments; he also wrote songs, and composed the tunes for them; and his example was followed by several of the nobility, his favourites.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 259
The Sports and Pastimes of the People of England (1801), Minstrels

“Schumann is the most representative musical figure of central European Romanticism as much because of his limitations as because of his genius: in his finest works, indeed, he exploited these limitations in such a way that they gave a force to his genius that no other contemporary could attain.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 12 : Schumann: Triumph and Failure of the Romantic Ideal

“The technical obstacles of painting perhaps dictate this form. It derives also from the limitations of personality, and such may be the simplifications that I have attempted.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

“It was as if by becoming a musician and Music Master he had chosen music as one of the ways toward man's highest goal, inner freedom, purity, perfection, and as though ever since making that choice he has done nothing but let himself be more and more permeated, transformed, purified by music — his entire self from his nimble, clever pianist's hands and his vast, well-stocked musician's memory to all the parts and organs of body and soul, to his pulses and breathing, to his sleep and dreaming — so that he was now only a symbol, or rather a manifestation, a personification of music.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

“Herbert Casson was a highly prolific writer on management, with a career as a management guru spanning some four decades. A skilled writer who was also a successful entrepreneur, he used his own experiences and acute observations of the world around him to develop a philosophy of management based on the concept of ‘efficiency’. He published more than seventy books, which by the time of his death had sold more than half a million copies around the world. Something of a maverick, he was never really accepted by the business academic community in either Britain or America. His books were popular and populist, highly entertaining and full of penetrating insight.”

Morgen Witzel (1960) Canadian historian, business theorist

Source: Fifty key figures in management, 2004, p. 42

“Herbert Casson was a highly prolific writer on management, with a career as a management guru spanning some four decades. A skilled writer who was also a successful entrepreneur, he used his own experiences and acute observations of the world around him to develop a philosophy of management based on the concept of ‘efficiency’. He published more than seventy books, which by the time of his death had sold more than half a million copies around the world. Something of a maverick, he was never really accepted by the business academic community in either Britain or America. His books were popular and populist, highly entertaining and full of penetrating insight.”

Herbert N. Casson (1869–1951) Canadian journalist and writer

Morgen Witzel (2003), Fifty Key Figures in Management. p. 42

“Hayek, highly influenced by Mach as a young man, began reading him immediately following his return from service in World War I. He remarked about four decades later that he was “stimulated by Mach’s work to study psychology and the physiology of the senses,” though his interest in these areas derived as much from disagreement as agreement with Mach’s work.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

“The woodcut is the most graphic of the printmaking techniques. Its practice demands much technical ability and interest. Kirchner's technical skill made woodcutting easy for him. Thus he came in a spontaneous way through the simplification necessary here to a clear style of representation. We see in his woodcuts, which constantly accompanied his creative work, the formal language of the paintings prefigured.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

de:Louis de Marsalle (pseudonym of Kirchner) Uber Kirchners Graphik, Genius 3, no. 2 (1921), p. 252-53; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 52
1920's

“Goethe said that the worst thing in art is technical facility accompanied by triteness. Many an artist, like God, has never needed to think twice about anything. His works are the mad scene from Giselle, on ice skates: he weeps, pulls out his hair—holding his wrists like Lifar—and tells you what Life is, all at a gliding forty miles an hour.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poetry, Unlimited”, p. 159
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Chopin's mazurkas stand apart from the rest of the considerable production inspired by folk music which reaches into all forms of Romantic music; they cannot conveniently be classified with any of the other manifestations. They are not arrangements of popular folk tunes, … He uses only fragments of melody, Polish formulas, typical national rhythms, and he combines them in his own way with great originality. From early on, Chopin's mazurkas are much more elaborate than the few modest pieces employing mazurka rhythms by Chopin's Polish predecessors, and they soon became the occasion for some of the most complex and pretentious of Chopin's forms.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

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Sergei Rachmaninoff 12

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