“My wish [c. 1911].... of compiling a book (a kind of Almanac) in which all the contributions should be written by artists. I dreamt primarily of painters and musicians. The ruinous separation of the arts from each other, and of 'Art' from folk-art and from children's art, the distinction between 'Art' and 'Ethnography' [folk-art].... the solid walls erected between phenomena that in my eyes were so closely related, even identical: in a word, the potentialities for synthesis left me no peace. It may well seem strange today [1930] that for a long time I could not find any co-workers or any means to promote this idea..”
as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 102
1920 - 1930
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Wassily Kandinsky 68
Russian painter 1866–1944Related quotes
Arnold Hauser (1985). The philosophy of art history. p. 279

Quoted in: Richard Roud, Godard, introduction (1970).

Comment posted at his official website http://www.robbykrieger.com.
Context: In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis. In the case of Tim Buckley or Dylan you have one man's ideas. Most groups today aren't groups. In a true group all the members create the arrangements among themselves.

The Age of Insight (2012)
Variant: The Age of Insight is a product of my subsequent fascination with the intellectual history of Vienna from 1890 to 1918, as well as my interest in Austrian modernist art, psychoanalysis, art history, and the brain science that is my life's work. In this book I examine the ongoing dialogue between art and science that had its origins in fin-de-siècle Vienna...
Quote in 'Art News', September 1958, p. 41; as cited in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 69
1950 - 1975

Настоящее произведение искусства делает то, что в сознании воспринимающего уничтожается разделение между ним и художником...
What is Art? (1897)