“Yes, I abandoned everything. Painting required it. It was all or nothing.”

Source: Jenna Starborn

Source: after 2000, Doubt and belief in painting' (2003), p. 93, note 24

As quoted in The Thought and Character of William James (1935) by Ralph Barton Perry, Vol. II, ch. 91
1890s

The Educational enterprise in the Light of the Gospel (13 November 1988).
Context: Churches also have their problems with a Jesus whose only economics are jokes. A savior undermines the foundations of any social doctrine of the Church. But that is what He does, whenever He is faced with money matters. According to Mark 12:13 there was a group of Herodians who wanted to catch Him in His own words. They ask "Must we pay tribute to Caesar?" You know His answer: "Give me a coin – tell me whose profile is on it!." Of course they answer "Caesar's."
The drachma is a weight of silver marked with Caesar's effigy.
A Roman coin was no impersonal silver dollar; there was none of that "trust in God" or adornment with a presidential portrait. A denarius was a piece of precious metal branded, as it were, like a heifer, with the sign of the personal owner. Not the Treasury, but Caesar coins and owns the currency. Only if this characteristic of Roman currency is understood, one grasps the analogy between the answer to the devil who tempted Him with power and to the Herodians who tempt Him with money. His response is clear: abandon all that which has been branded by Caesar; but then, enjoy the knowledge that everything, everything else is God's, and therefore is to be used by you.
The message is so simple: Jesus jokes about Caesar. He shrugs off his control. And not only at that one instance… Remember the occasion at the Lake of Capharnaum, when Peter is asked to pay a twopenny tax. Jesus sends him to throw a line into the lake and pick the coin he needs from the mouth of the first fish that bites. Oriental stories up to the time of Thousand Nights and One Night are full of beggars who catch the fish that has swallowed a piece of gold. His gesture is that of a clown; it shows that this miracle is not meant to prove him omnipotent but indifferent to matters of money. Who wants power submits to the Devil and who wants denarri submits to the Caesar.

Source: Life is Elsewhere

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 10 : Notes from 1969

1973
1968 - 1974, Electric chair quote
Source: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz; as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467

Future Proofing You (2021)

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120