Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister
Lord George Bentinck: A Political Biography (1852), pp. 324-325.
1850s
1830s, Illinois House Journal (1837)
Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister
Lord George Bentinck: A Political Biography (1852), pp. 324-325.
1850s
Cyrus H. Gordon (1908–2001) American linguist
Introduction
Adventures in the Nearest East (1957)
Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic
The Age of Shakespeare (1908)
Context: Æschylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light. The doctrine of Shakespeare, where it is not vaguer, is darker in its implication of injustice, in its acceptance of accident, than the impression of the doctrine of Æschylus. Fate, irreversible and inscrutable, is the only force of which we feel the impact, of which we trace the sign, in the upshot of Othello or King Lear. The last step into the darkness remained to be taken by "the most tragic" of all English poets. With Shakespeare — and assuredly not with Æschylus — righteousness itself seems subject and subordinate to the masterdom of fate: but fate itself, in the tragic world of Webster, seems merely the servant or the synonym of chance. The two chief agents in his two great tragedies pass away — the phrase was, perhaps, unconsciously repeated — "in a mist": perplexed, indomitable, defiant of hope and fear bitter and sceptical and bloody in penitence or impenitence alike. And the mist which encompasses the departing spirits of these moody and mocking men of blood seems equally to involve the lives of their chastisers and their victims. Blind accident and blundering mishap — "such a mistake", says one of the criminals, "as I have often seen in a play" — are the steersmen of their fortunes and the doomsmen of their deeds. The effect of this method or the result of this view, whether adopted for dramatic objects or ingrained in the writer's temperament, is equally fit for pure tragedy and unfit for any form of drama not purely tragic in evolution and event.
Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst
Source: The Black Swan: The Impact of the Highly Improbable (2007), p. 162
Anne Brontë book The Tenant of Wildfell Hall
Source: The Tenant of Wildfell Hall (1848), Ch. XXIII : First weeks of Matrimony; Helen to Arthur
John C. Calhoun (1782–1850) 7th Vice President of the United States
Regarding slavery (1838), as quoted in Brother Against Brother: The War Begins, (The Civil War series) vol. 1, William C. Davis, New York, NY, Time-Life Books, (1983) p. 40
1830s
Eric Trist (1909–1993) British scientist
Source: The evolution of socio-technical systems, (1981), p. 9
Koenraad Elst (1959) orientalist, writer
Elst, Indigenous Indians, 375, 381. quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan.
1990s
“Evil people never believe that they are evil; rather, they believe that everyone else is evil.”
Mark Manson (1984) American writer and blogger
Source: The Subtle Art of Not Giving a F*ck (2016), Chapter 6, “You’re Wrong About Everything (But So Am I)” (p. 133)