Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 162, in: 'What he told me – I. The motif'
“With respect to the use of this sparkling coloured material [butterfly wings, around 1955] – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 116
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Jean Dubuffet 46
sculptor from France 1901–1985Related quotes
1981 - 2008
Source: 'Colour Chart I', interview with Christoph Grunenberg, 1 May 2009; 'Sixty years at full intensity', Tate 2009
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 221 in: 'What he told me – III. The Studio'
In many works by the greatest colourists — Rembrandt and Watteau are examples — there are very few identifiable colours.
Source: The Romantic Rebellion (1973), Ch. 10: Turner II: The Liberation of Colour
Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179
Carlo Carrà's art statement on Futurism in 1913, as quoted in Abstract Art Anna Moszynska, Thames and Hudson 1990, p. 26
1910's
Source: 1932 - 1946, The Studio 132:643', (1946), p. 280
Quote from a letter to Simone Herman, 3 September, 1933, as in quoted Fernand Léger - The Later Years -, catalogue edited by Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 28
Quotes of Fernand Leger, 1930's
Madonna Interview : Island Magazine (October 1983), Island, 1983-10-01 http://allaboutmadonna.com/madonna-library/madonna-interview-island-magazine-october-1983,
(When asked what she used to draw as a kid).