Source: 1930s- 1950s, The End of Economic Man (1939), p. 24
Source: Excerpts of Martial law speech (14 December 1981)
(1847)
As quoted in Jimmy Carter (1995), Keeping faith: memoirs of a president, page 444
Attributed
From a letter to the California State board of Education (14 September 1972)
Context: For me, the idea of a creation is not conceivable without invoking the necessity of design. One cannot be exposed to the law and order of the universe without concluding that there must be design and purpose behind it all.
The Method of Freedom: An Errico Malatesta Reader (2014)
Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 65
Source: Darkness Visible (1990), I
Context: Depression is a disorder of mood, so mysteriously painful and elusive in the way it becomes known to the self — to the mediating intellect — as to verge close to being beyond description. It thus remains nearly incomprehensible to those who have not experienced it in its extreme mode, although the gloom, “the blues” which people go through occasionally and associate with the general hassle of everyday existence are of such prevalence that they do give many individuals a hint of the illness in its catastrophic form.
"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 1
Running on Emptiness: The Pathology of Civilization (2002)
