“Many is the mirage I chased. Always I was overreaching myself. The oftener I touched reality, the harder I bounced back to the world of illusion, which is the name for everyday life. 'Experience! More experience!' I clamored. In a frantic effort to arrive at some kind of order, some tentative working program, I would sit down quietly now and then and spend long, long hours mapping out a plan of procedure. Plans, such as architects and engineers sweat over, were never my forte. But I could always visualize my dreams in a cosmogonic pattern. Though I could never formulate a plot I could balance and weigh opposing forces, characters, situations, events, distribute them in a sort of heavenly lay-out, always with plenty of space between, always with the certitude that there is no end, only worlds within worlds ad infinitum, and that wherever one left off one had created a world, a world finite, total, complete.”

—  Henry Miller , book Plexus

The Rosy Crucifixion II : Plexus (1953)

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Henry Miller 187
American novelist 1891–1980

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“Many is the mirage I chased. Always I was overreaching myself. The oftener I touched reality, the harder I bounced back to the world of illusion, which is the name for everyday life. 'Experience! More experience!”

I clamored. In a frantic effort to arrive at some kind of order, some tentative working program, I would sit down quietly now and then and spend long, long hours mapping out a plan of procedure. Plans, such as architects and engineers sweat over, were never my forte. But I could always visualize my dreams in a cosmogonic pattern. Though I could never formulate a plot I could balance and weigh opposing forces, characters, situations, events, distribute them in a sort of heavenly lay-out, always with plenty of space between, always with the certitude that there is no end, only worlds within worlds ad infinitum, and that wherever one left off one had created a world, a world finite, total, complete.
The Rosy Crucifixion II : Plexus (1953)

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“Did you plan your leads, or, for that matter, do you plan them now?
No. The only planning I do is about a minute before I play. I desperately try to think of something that will be effective, but I never sit down and work it out note for note.”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

Fred Stuckey, "Eric Clapton Interview," Guitar Player 4 (June 1970) p. 47. guitarplayer.com http://www.guitarplayer.com/miscellaneous/1139/gp-flashback-eric-clapton-june-1970/12798

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“I have no horror of death: if I thought it inevitable I think I could quietly resign myself to the prospect … But I wish it would please God to spare me not only for Papa's and Charlotte's sakes, but because I long to do some good in the world before I leave it.”

Anne Brontë (1820–1849) British novelist and poet

Letter to Ellen Hussey (5 April 1849), published in The Letters of Charlotte Brontë : With a Selection of Letters by Family and Friends (1995), edited by Margaret Smith, Vol. II: 1848–1851, p. 195
Context: I have no horror of death: if I thought it inevitable I think I could quietly resign myself to the prospect... But I wish it would please God to spare me not only for Papa's and Charlotte's sakes, but because I long to do some good in the world before I leave it. I have many schemes in my head for future practice – humble and limited indeed – but still I should not like them all to come to nothing, and myself to have lived to so little purpose. But God's will be done.

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“For myself I know that, as long as I can summarize my experience in words, I would certainly not make any music about it.”

Gustav Mahler (1860–1911) late-Romantic Austrian composer

Ich weiß für mich, daß ich, solang ich mein Erlebnis in Worten zusammenfassen kann, gewiß keine Musik hierüber machen würde.
Letter to Max Marschalk (26 March 1896). Original German text cited from: Blaukopf, Herta (ed.). Gustav Mahler. Briefe. 2nd edition. Zsolnay, Vienna 1996, ISBN 3-552-04810-3, p. 171.
Variant: If a composer could say what he had to say in words he would not bother trying to say it in music.

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