“It is true, Archbishop Tchidimbo was very strict, intensely upright, and endlessly demanding. He used to come visit us at the minor seminary in Kindia. I remember that he insisted on the importance of spiritual qualities, and especially good character, moral integrity, and honesty. I can still hear him thunder to the class: "The first reason to expel a seminarian is for duplicity, the second, for duplicity, and the third, for duplicity."”

"Karl Friedrich Schinkel (1781-1841)" (2006) by Margaret Odrowaz Sypniewska http://www.angelfire.com/mi4/polcrt/Schinkel.html
Context: I hope I may be allowed to remark that recent inventions and improvements enabling works of art to be duplicated faithfully, easily, and safely may properly be used to give industry a direction in which beauty is as important as utility. I cannot, as many do, regret the mechanical process that turns the artist's attention increasingly towards the intellectual element in the production of a work of art; something that no machinery can replace. Anything that a machine can imitate and duplicate perfectly is no longer in the realm of art. But as a work of art can be mechanically duplicated both faithfully and with ease, and this distributed to all classes of society, if the knowledge of that work need no longer be acquired solely in museums or in those private collections to which access is difficult, then we may hope that here and there one of the seeds thus broadcast will take root and eventually bear fruit.

Source: The Vicar of Wakefield (1766), Ch. 7.

Source: Ten Little Wizards (1988), Chapter 7 (p. 62)

Source: Farewell Waltz

Summations, Chapter 52

Introduction, pp. 2-3
Capitalism and Freedom (1962)

Martin Fowler as cited in: James Shore, Shane Warden (2007) The Art of Agile Development. p. 319

2008