“Some stories, she'd say, the more you tell them, the faster you use them up. Those kind, the drama burns off, and every version, they sound more silly and flat. The other kind of story, it uses you up. The more you tell it, the stronger it gets. Those kind of stories only remind you how stupid you were. Are. Will always be.”
Haunted (2005)
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Chuck Palahniuk 555
American novelist, essayist 1962Related quotes
On how fanfiction has affected her life in “AN INTERVIEW WITH ARKADY MARTINE” http://strangehorizons.com/non-fiction/articles/an-interview-with-arkady-martine/ in Stage Horizons (2019 Feb 25)
Source: His Dark Materials, The Amber Spyglass (2000), Ch. 32 : Morning
Context: One of the ghosts — an old woman — beckoned, urging her to come close.
Then she spoke, and Mary heard her say:
"Tell them stories. They need the truth. You must tell them true stories, and everything will be well, just tell them stories."
That was all, and then she was gone. It was one of those moments when we suddenly recall a dream that we’ve unaccountably forgotten, and back in a flood comes all the emotion we felt in our sleep. It was the dream she’d tried to describe to Atal, the night picture; but as Mary tried to find it again, it dissolved and drifted apart, just as these presences did in the open air. The dream was gone.
All that was left was the sweetness of that feeling, and the injunction to tell them stories.
Source: They Fly at Çiron (1993), Chapter 7 (p. 202)
Source: Generation A (2009), p. 177
“All sorrows can be borne if you put them into a story or tell a story about them.”
As quoted in The Human Condition (1958) by Hannah Arendt. This appears as part of a statement in a 1957 interview where she speaks of a friend's comments about her:
I am not a novelist, really not even a writer; I am a storyteller. One of my friends said about me that I think all sorrows can be borne if you put them into a story or tell a story about them, and perhaps this is not entirely untrue. To me, the explanation of life seems to be its melody, its pattern. And I feel in life such an infinite, truly inconceivable fantasy.
Interview with Bent Mohn in The New York Times Book Review (3 November 1957)
Paraphrased variant : All suffering is bearable if it is seen as part of a story.
"The Precarious Vogue of Ingmar Bergman" in Esquire (April 1960); republished as "The Northern Protestant" in Nobody Knows My Name: More Notes of a Native Son (1961) and in The Price of the Ticket (1985)
