
“Silver and gold are not the only coin; virtue too passes current all over the world.”
Œdipus, Frag. 546
Tout passe.
L'art robuste
Seul a l'éternité,
Le buste
Survit à la cité.
Et la médaille austère
Que trouve un laboureur
Sous terre
Révèle un empereur.
All passes, art alone
Enduring stays to us;
The bust outlasts the throne, —
The coin, Tiberius.
"L'Art", line 41, in Émaux et Camées (1852; Genève: Librairie Droz, 1947) pp. 131-2; Dean de la Motte and Jeannene M. Przyblyski (eds.) Making the News (Amherst: University of Massachusetts Press, 1999) p. 144; Henry Austin Dobson "Ars Victrix", line 29, in The Complete Poetical Works of Austin Dobson (Whitefish, Montana: Kessenger, 2005) p. 142.
Tout passe. – L'art robuste Seul a l'éternité, Le buste Survit à la cité. Et la médaille austère Que trouve un laboureur Sous terre Révèle un empereur.
“Silver and gold are not the only coin; virtue too passes current all over the world.”
Œdipus, Frag. 546
The Tragic Sense of Life (1913), IX : Faith, Hope, and Charity
“If I get busted in New York, the freest city in the world, that will be the end of my career.”
Lenny Bruce http://news.bbc.co.uk/1/hi/world/americas/3345229.stm
André Malraux, TV program: Promenades imaginaires dans Florence, 1975.
“In our own times, you see, an emperor came to the city of Rome, where there’s the temple of an emperor, where there’s a fisherman’s tomb”
Temporibus enim nostris venit imperator in urbem Romam: ibi est templum imperatoris, ibi est sepulcrum piscatoris. Itaque ille ad deprecandam a Domino salutem imperator pius atque christianus non perrexit ad templum imperatoris superbum, sed ad sepulcrum piscatoris, ubi humilis ipsum piscatorem imitaretur, ut tunc respectus aliquid impetraret a Domino, quod superbiens imperator mereri non posset.
341:4; English from: Newly Discovered Sermons, 1997, Edmund Hill, tr., John E. Rotelle, ed., New City Press, New York, p. p. 286.
Sermons
Context: In our own times, you see, an emperor came to the city of Rome, where there’s the temple of an emperor, where there’s a fisherman’s tomb. And so that pious and Christian emperor, wishing to beg for health, for salvation from the Lord, did not proceed to the temple of a proud emperor, but to the tomb of a fisherman, where he could imitate that fisherman in humility, so that he, being thus approached, might then obtain something from the Lord, which a haughty emperor would be quite unable to earn.
Source: Let Your Life Speak: Listening for the Voice of Vocation (1999), p. 54
“Art attracts us only by what it reveals of our most secret self.”
Cited in: Paul Bowden, Telling It Like It Is https://books.google.nl/books?id=w8_p1eGVj8gC&pg=PA182&lpg=PA182&dq=%22Art+attracts+us+only+by+what+it+reveals+of+our+most+secret+self%22+%22jean+luc+godard%22&source=bl&ots=2zIpIhvB_1&sig=uImQSWu8ATehPk0hAhfck-ZowJc&hl=nl&sa=X&ved=0ahUKEwjwydLuqp_LAhVhDJoKHdrjACcQ6AEIUjAG#v=onepage&q=%22Art%20attracts%20us%20only%20by%20what%20it%20reveals%20of%20our%20most%20secret%20self%22%20%22jean%20luc%20godard%22&f=false, 2011, p. 182
Source: "What Is Cinema?" Les Amis du Cinéma (Paris, October 1, 1952).
"Paracelsus as a Spiritual Phenomenon" (1942) In CW 13: Alchemical Studies P.47