“Very few writers of verse can read their work to keep their listeners aware of the beauty of sense, that sense of beauty from the powerful, delicate ways in which sense is made by poetry.”

'Poetry' September 1995

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John Hollander31

American poet 1929–2013

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“A verse translation should be faithful to the original, less in form than in sense. Or in other words, a poetic translation should be as beautiful as the original in sense, in sound and, if possible, in form.”

Xu Yuanchong (1921) Translator of Chinese poetry

Source: 300 Tang Poems: A New Translation (1987), p. xxii

“A small but brilliant advance made today by someone’s awareness may for the moment reach a very small audience, but insofar as it’s valid and beautiful, it will make its way and become part of the whole world of consciousness. So in that sense it’s all working toward this huge audience, and all working toward a better man.”

Conrad Aiken (1889–1973) American novelist and poet

The Paris Review interview (1963)

“It is not expensive to be beautiful. It takes only a little effort to be presentable and beautiful. But it takes some effort. And unfortunately people think of beauty as luxury, beauty as frivolity, … or extravagance. Beauty is a discipline, beauty is art, is harmony, in the ideological sense and in the theological sense, beauty is God and love made real. And the ultimate reach in this world is beauty.”

Imelda Marcos (1929) Former First Lady of the Philippines

Quoted in "Imelda (2003).

“Free verse may be written as very beautiful prose; prose may be written as very beautiful free verse. Which is which?”

John Livingston Lowes (1867–1945) American academic

Nation (February 1916)

“Though the gifts of the mind are infinite, they can, it seems to me, be thus classified. There are some so beautiful that everyone can see and feel their beauty. There are some lovely, it is true, but which are wearisome. There are some which are lovely, which all the world admire, but without knowing why. There are some so refined and delicate that few are capable even of remarking all their beauties. There are others which, though imperfect, yet are produced with such skill, and sustained and managed with such sense and grace, that they even deserve to be admired.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), II. On Difference of Character

“.. there is no longer any beauty except the struggle. Any work of art that lacks a sense of aggression can never be a masterpiece.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

In the 'First Futurist Manifesto,' Filippo Marinetti, 1909; as quoted in Critical Writings: Filippo Tommaso Marinetti, New Edition, quoted in the text on the Back Cover, Macmillan, 7 Apr 2007
1900's

“There is but a very minute portion of the creation which we can turn into food and clothes, or gratification for the body; but the whole creation may be used to minister to the sense of beauty.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Self-Culture (1838)

“Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, and can re-capture nothing but a dim sense of the beauty of it, the beauty!”

Kenneth Grahame book The Wind in the Willows

Source: The Wind in the Willows (1908), Ch. 7
Context: Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, and can re-capture nothing but a dim sense of the beauty of it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties; so Mole, after struggling with his memory for a brief space, shook his head sadly and followed the Rat.

“Most English-speaking people … will admit that cellar door is "beautiful," especially if dissociated from its sense (and from its spelling). More beautiful than, say, sky, and far more beautiful than beautiful…Well then, in Welsh, for me cellar doors are extraordinarily frequent, and moving to the higher dimension, the words in which there is pleasure in the contemplation of the association of form and sense are abundant.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

English and Welsh (1955)

“An artist is only an artist thanks to his exquisite sense of beauty — a sense which provides him with intoxicating delights, but at the same time implying and including a sense, equally exquisite, of all deformity and disproportion.”

Charles Baudelaire (1821–1867) French poet

Un artiste n'est un artiste que grâce à son sens exquis du beau, — sens qui lui procure des jouissances enivrantes, mais qui en même temps implique, enferme un sens également exquis de toute difformité et de toute disproportion. <br class="br">XI: "Notes nouvelles sur Edgar Poe III," IV http://fr.wikisource.org/wiki/Edgar_Poe_III._Notes_nouvelles_sur_Edgar_Poe_%28L%E2%80%99Art_romantique%29#IV <br class="br">L'art romantique (1869)

“Very few writers of verse can read their work to keep their listeners aware of the beauty of sense, that sense of beauty from the powerful, delicate ways in which sense is made by poetry.”

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John Hollander31

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