“Moses illusion.”

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Daniel Buren, Olivier Mosset, Michel Parmentier and Niele Toroni, at the Paris Biennale in October 1967. Translated and cited in: Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972, New York: Praeger, (1973), p. 30.
1960s

Interview with Oriana Fallaci in The Chicago Tribune (24 June 1973).
Context: Democracy, republics: What do these words signify? What have they changed in the world? Have men become better, more loyal, kinder? Are the people happier? All goes on as before, as always. Illusions, illusions. Besides, one should consider the interest of a nation before subverting it with words. Democracy is necessary in some cases and We believe some African peoples might adopt it. But in other cases it is harmful, a mistake.

Make Your Own 3D Illusions (2014).
Context: We long for a technological world, while keeping the natural aspect of our environment; we want the progress, while maintaining the traditions; we want organization while preserving individual freedom; we produce at a large scale while looking for unique products; we want clearness in our relationships, while we like to play with the ambiguity; we wish everlasting happiness while seeking incomparable magic moments… In reality, from all these contradictions, we are looking for only one thing: ASTONISHMENT. We would life to astonish us every day! That’s why we all, human beings, love playing, because games are synonymous of risk and astonishment. Games are enactments, and the act of playing is an illusion of the illusion of the reality.

Source: The Void Captain's Tale (1983), Chapter 13 (p. 164)

Introduction to Ward's English Poets (1880)
Context: For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.

Source: A Room of One's Own

Acis, in Pt. V
1920s, Back to Methuselah (1921)