
Io parlo parlo ... ma chi m'ascolta ritiene solo le parole che aspetta. ... Chi comanda al racconto non è la voce: è l'orecchio.
Marco Polo to Kublai Khan, in Italo Calvino's Invisible Cities (1974), ch. 9
In fiction
Source: The Dark Tower
Io parlo parlo ... ma chi m'ascolta ritiene solo le parole che aspetta. ... Chi comanda al racconto non è la voce: è l'orecchio.
Marco Polo to Kublai Khan, in Italo Calvino's Invisible Cities (1974), ch. 9
In fiction
“Speak, speak, let terror strike slaves mute,
Much danger makes great hearts most resolute.”
The Wonder of Women, or The Tragedy of Sophonisba, Act II, sc. ii. (1606)
“They speak to the ear. I want to speak to the memory.”
“He who speaks without modesty will find it difficult to make his words good.”
“Not without reason did he who had the right to do so speak of the foolishness of the cross.”
The Tragic Sense of Life (1913), X : Religion, the Mythology of the Beyond and the Apocatastasis
Context: Not without reason did he who had the right to do so speak of the foolishness of the cross. Foolishness, without a doubt, foolishness. And the American humorist, Oliver Wendell Holmes, was not altogether wide of the mark in making one of the characters in his ingenious conversations say that he thought better of those who were confined in a lunatic asylum on account of religious mania than of those who, while professing the same religious principles, kept their wits and appeared to enjoy life very well outside the asylums. But those who are at large, are they not really, thanks to God, mad too? Are there not mild madnesses, which not only permit us to mix with our neighbors without danger to society, but which rather enable us to do so, for by means of them we are able to attribute a meaning and finality to life and society?
“Speak for the ear and write for the memory.”
“Oft the hours
From morn to eve have stolen unmark'd away,
While mute attention hung upon his lips.”
Book II, lines 183–185
The Pleasures of the Imagination (1744)
“Letters are signs of things, symbols of words, whose power is so great that without a voice they speak to us the words of the absent; for they introduce words by the eye, not by the ear.”
Litterae autem sunt indices rerum, signa verborum, quibus tanta vis est, ut nobis dicta absentium sine voce loquantur. Verba enim per oculos non per aures introducunt.
Bk. 1, ch. 3, sect. 1; p. 96.
Etymologiae
Vol. II, p. 30
1980s, Letters to the Schools (1981, 1985)
Context: Attention involves seeing and hearing. We hear not only with our ears but also we are sensitive to the tones, the voice, to the implication of words, to hear without interference, to capture instantly the depth of a sound. Sound plays an extraordinary part in our lives: the sound of thunder, a flute playing in the distance, the unheard sound of the universe; the sound of silence, the sound of one’s own heart beating; the sound of a bird and the noise of a man walking on the pavement; the waterfall. The universe is filled with sound. This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.