“Nothing truly wild is unclean.”

Anecdotes of Oyasama, Foundress of Tenrikyo, from Anecdote 158, "Monthly Period is the Flower," p. 128.
Anecdotes of Oyasama

Nothing to Wear (1857), reported in Bartlett's Familiar Quotations 10th ed. (1919).

Conversation of 1930
Personal Recollections (1981)

Bk. VII, l. 812-826.
Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)
Context: And truly, I reiterate,.. nothing's small!
No lily-muffled hum of a summer-bee,
But finds some coupling with the spinning stars;
No pebble at your foot, but proves a sphere;
No chaffinch, but implies the cherubim:
And, — glancing on my own thin, veined wrist, —
In such a little tremour of the blood
The whole strong clamour of a vehement soul
Doth utter itself distinct. Earth's crammed with heaven,
And every common bush afire with God:
But only he who sees, takes off his shoes,
The rest sit round it, and pluck blackberries,
And daub their natural faces unaware
More and more, from the first similitude.

The History of the Worthies of England (1662): Musicians.

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: One of the great disservices a culture of domination has done to all of us is to confuse the erotic with domination and violence. The God is wild, but his is the wildness of connection, not of domination. Wildness is not the same as violence. Gentleness and tenderness do not translate into wimpiness. When men — or women, for that matter — begin to unleash what is untamed in us, we need to remember that the first images and impulses we encounter will often be the stereotyped paths of power we have learned in a culture of domination. To become truly wild, we must not be sidetracked by the dramas of power-over, the seduction of addictions, or the thrill of control. We must go deeper. <!-- p. 233

Source: The Writing Class

Source: Where We Belong

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836)
1830s, his lectures History of Landscape Painting (1836)