“God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.”
Source: Finding Water: The Art of Perseverance
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Julia Cameron 45
American writer 1948Related quotes
Entry (1957)
Eric Hoffer and the Art of the Notebook (2005)
The First Revelation, Chapter 9
Context: Because of the Shewing I am not good but if I love God the better: and in as much as ye love God the better, it is more to you than to me. I say not this to them that be wise, for they wot it well; but I say it to you that be simple, for ease and comfort: for we are all one in comfort. For truly it was not shewed me that God loved me better than the least soul that is in grace; for I am certain that there be many that never had Shewing nor sight but of the common teaching of Holy Church, that love God better than I. For if I look singularly to myself, I am right nought; but in general I am, I hope, in oneness of charity with all mine even-Christians.
Stig Bjorkman interview <!-- pages 12-14 -->
Bergman on Bergman (1970)
Context: That I wasn't interested in politics or social matters, that's dead right. I was utterly indifferent. After the war and the discovery of the concentration camps, and with the collapse of political collaborations between the Russians and the Americans, I just contracted out. My involvement became religious. I went in for a psychological, religious line... the salvation-damnation issue, for me, was never political. It was religious. For me, in those days, the great question was: Does God exist? Or doesn't God exist? Can we, by an attitude of faith, attain to a sense of community and a better world? Or, if God doesn't exist, what do we do then? What does our world look like then? In none of this was there the least political colour. My revolt against bourgeois society was a revolt-against-the-father. I was a peripheral fellow, regarded with deep suspicion from every quarter... When I arrived in Gothenburg after the war, the actors at the Municipal Theatre fell into distinct groups: old ex-Nazis, Jews, and anti-Nazis. Politically speaking, there was dynamite in that company: but Torsten Hammaren, the head of the theatre, held it together in his iron grasp.
“I guess God can use the mafia, but I would like God to use the church.”
Source: The Irresistible Revolution (2006), p. 63
