Conclusion
The Renaissance http://www.authorama.com/renaissance-1.html (1873)
Context: Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy. To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life.
“Success in life is to maintain this ecstasy, to burn always with this hard gemlike flame.”
Source: The Invention of Love
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Tom Stoppard 116
British playwright 1937Related quotes
As quoted in O<sub>2</sub> : Breathing New Life Into Faith (2008) by Richard Dahlstrom, Ch. 4 : Artisans of Hope: Stepping into God's Kingdom Story, p. 63; this source is disputed as it does not cite an original document for the quote. It is also used in <i> The White Rose </i> (1991) by Lillian Garrett-Groag, a monologue during Sophie's interrogation.
Disputed
Context: The real damage is done by those millions who want to "survive." The honest men who just want to be left in peace. Those who don't want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won't take measure of their own strength, for fear of antagonizing their own weakness. Those who don't like to make waves — or enemies. Those for whom freedom, honor, truth, and principles are only literature. Those who live small, mate small, die small. It's the reductionist approach to life: if you keep it small, you'll keep it under control. If you don't make any noise, the bogeyman won't find you. But it's all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.
Statement to a TImes reporter in 1990, as quoted in "The wit and wisdom of Boris" in Guardian Unlimited (23 April 2007)
1990s
“I call for actors burning at the stakes, laughing at the flames.”
Source: The Theater and Its Double
“Not a visible enthusiasm but a hidden one, an excitement burning with a cold flame.”
Source: Perfume: The Story of a Murderer
Try, written by Michael Busbee and Ben West
Song lyrics, The Truth About Love (2012)
1977 (from the poem, Douse the Flames)