“No human being, when you understand his desires, is worthless. No one's life is nothing. Even the most evil of men and women, if you understand their hearts, had some generous act that redeems them, at least a little, from their sins.”

Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.

Edicts of Ashoka (c. 257 BC)

Source: The Quiet American

Lecture II, section 35
The Eagle's Nest (1872)

Ask the Dust (1939)

Es gibt zwei Sorten von Männern. Die einen verstehen 'etwas von Frauen', die anderen sind solche, die einfach 'Frauen verstehen'.
Netzkarte (1981)

This has sometimes been paraphrased: "The simple things are also the most extraordinary things, and only the wise can see them."
Source: The Alchemist (1988), p. 15.

Part I, Ch. 11
The Song of the Lark (1915)