Letitia Elizabeth Landon citations

Page 12

“But this is as a dream, — the plough has pass'd
Where the stag bounded, and the day has looked
On the green twilight of the forest-trees.
This Oak has no companion!”

“The moon is darkened in the sky
As if grief 's shade were passing by;”

“And here at length is somewhat of revenge:
For man's most golden dreams of pride and power
Are vain as any woman-dreams of love;
Both end in weary brow and wither'd heart,
And the grave closes over those whose hopes
Have lain there long before.”

“Pride misers with enjoyment, when we have
Delight in things that are but of the mind:
But half humility when we partake
Pleasures that are half wants, the spirit pines
And struggles in its fetters, and disdains
The low base clay to which it is allied.”

“I believe that the grand secret of attraction is, that the details always turn on what is present to our fears, or gratifying to our vanity.”

“All beginnings are very troublesome things.”

“Why, the very element of poetry is faith—faith in the beautiful, the divine, and the true.”

“Oh! never should a woman's words be more
Than sighs which have found utterance.”

“Methinks adieu
Is cold, when uttered with aught else but tears.”

“Alas! vows are his after sign!—
We prop the tree in its decline—
The ghosts that haunt a parting hour,
With all of grief, and nought of power;
A chain half sunder'd in the making,—
The plighted vow's already breaking.”

“It is a curious fact, that the true has always been more opposed at the outset than the false; the circulation of the blood and vaccination nearly lost their discoverers credit and practice, while some vender of quack medicines makes a rapid fortune. This may perhaps be accounted for, simply, that the impostor addresses the multitude, while the scientific discoverer appeals to his brethren in knowledge, all of whom are inclined to deny, what, if admitted, must show, that a great part of their own research and acquirement has been in vain; still he who trades on human credulity will have a good stock on hand, especially when the lure held forth is that of gain.”

“How much
I loved the painter's glorious art, which forms
A world like, but more beautiful than this;
Just catching nature in her happiest mood!”

“A man above thirty cannot enter into the wild visions of an enthusiastic girl.”

“She sleeps!—so sleeps the wretch beside the stake:
She sleeps!—how dreadful from such sleep to wake!”

“The city and the crowd unidealise love; and love, in the young warm heart of a girl, should be a dream apart from all commoner emotions — as sweet and as ethereal as the blush with which it is born and dies. Beauty gives its own gracefulness to love — there must be romance blended with the passion inspired by the very lovely face which the mirror reflected.”

“But our bird knew not of the free blue air,
He had lived in his cage, and his home was there :
No flight had he in the green wood flown —
He pined not for freedom he never had known!
If he had lived amid leaf and bough
It had been cruel to fetter him now;
For I have seen a poor bird die,
And all for love of his native sky.”

“I deeply swore
No lip should sigh where mine before
Had sealed its vow, no heart should rest
Upon the bosom mine had prest.
Life had no ill I would not brave
To claim him, even in the grave!”

“The history of credulity would be the most singular page in the great history of mankind. From those vast beliefs which have founded religions and empires, down to the inventions that garnish the last new murder, there has always been a tendency in the human mind to believe with as little expense of the reasoning faculty as possible.”

“But music is a mystery, and viewless
Even when present, and is less man's act,
And less within his order; for the hand
That can call forth the tones, yet cannot tell
Whither they go, or if they live or die,
When floated once beyond his feeble ear;”

“Why should I love? flinging down pearl and gem
To those who scorn, at least care not for them:
Why should I hate? as blades in scabbards melt,
I have no power to make my hatred felt;”

“It is amazing how much our admiration takes its tone from the admiration of others; and when to that is added an obvious admiration of ourselves, the charm is irresistible.”

“Tis well: the rack, the chain, the wheel,
Far better had'st thou proved;
Ev'n I could almost pity feel,
For thou art not beloved.”

“Charles went towards the table, but he had no lady-like powers of filling four sheets with nothing, and the letter was soon sealed.”

“In childhood, the impetus of conversation is curiosity. The child talks to ask questions. But one of its first lessons, as it advances, is that a question is an intrusion, and an answer a deceit.”

“In moments of great anxiety there is a sort of natural superstition about the heart, which the reason rejects in cooler moments.”

“Midnight is a wonderful thing in a vast city—and midnight was upon Vienna. The shops were closed, the windows darkened, and the streets deserted—strange that where so much of life was gathered together there could be such deep repose; yet nothing equals the stillness of a great town at night. Perhaps it is the contrast afforded by memory that makes this appear yet more profound. In the lone valley, and in the green forest, there is quiet even at noon—quiet, at least, broken by sounds belonging alike to day and night. The singing of the bee and the bird, or the voice of the herdsman carolling some old song of the hills—these may be hushed; but there is still the rustle of the leaves, the wind murmuring in the long grass, and the low perpetual whisper of the pine. But in the town—the brick and mortar have no voices of their own. Nature is silent—her soft, sweet harmonies are hushed in the great human tumult—man, and man only, is heard. Through many hours of the twenty-four, the ocean of existence rolls on with a sound like thunder—a thousand voices speak at once. The wheels pass and re-pass over the stones—music, laughter, anger, the words of courtesy and of business, mingle together—the history of a day is the history of all time. The annals of life but repeat themselves.”

“Once more my harp awakens; once again,
Tho' all unworthy be my hand to twine
Th' etherial blossomings of poetry,
I would call forth its numbers, yet would feel
Its music fall like sunlight on my soul.”

“I have ever remarked, that when Fate has any great misfortune in store, it is always preceded by a brief period of calm and sunshine—as if to add bitterness of contrast to all other misery. It is for the happy to tremble—it is over their heads that the thunderbolt is about to burst.”

“Well he knows his course has hasted
Through delicious sin,
Borne tumultuously along.
Never have the stars above
Chronicled such utter love.”