William Morris: Trending quotes (page 3)

"March".
The Earthly Paradise (1868-70)

Love is Enough (1872), Song V: Through the Trouble and Tangle

Love is Enough (1872), Song VII: Dawn Talks to Day
Context: Eve shall kiss night,
And the leaves stir like rain
As the wind stealeth light
O'er the grass of the plain.
Unseen are thine eyes
Mid the dreamy night's sleeping,
And on my mouth there lies
The dear rain of thy weeping.

Source: A Dream of John Ball (1886), Ch. 12: Ill Would Change Be At Whiles Were It Not For The Change Beyond The Change.
Context: Mastership hath many shifts whereby it striveth to keep itself alive in the world. And now hear a marvel: whereas thou sayest these two times that out of one man ye may get but one man's work, in days to come one man shall do the work of a hundred men — yea, of a thousand or more: and this is the shift of mastership that shall make many masters and many rich men.

The Earthly Paradise (1868-70), The Lady of the Land
Context: Upon the floor uncounted medals lay
Like things of little value; here and there
Stood golden caldrons, that might well outweigh
The biggest midst an emperor's copper-ware,
And golden cups were set on tables fair,
Themselves of gold; and in all hollow things
Were stored great gems, worthy the crowns of kings.

Introductory verse.
The Earthly Paradise (1868-70)

Love is Enough (1872), Song VIII: While Ye Deemed Him A-Sleeping
Context: All wonder of pleasure, all doubt of desire,
All blindness, are ended, and no more ye feel
If your feet treat his flowers or the flames of his fire,
If your breast meet his balms or the edge of his steel.
Change is come, and past over, no more strife, no more learning:
Now your lips and your forehead are sealed with his seal,
Look backward and smile at the thorns and the burning.
— Sweet rest, O my soul, and no fear of returning!

Love is Enough (1872), Song VIII: While Ye Deemed Him A-Sleeping
Context: All wonder of pleasure, all doubt of desire,
All blindness, are ended, and no more ye feel
If your feet treat his flowers or the flames of his fire,
If your breast meet his balms or the edge of his steel.
Change is come, and past over, no more strife, no more learning:
Now your lips and your forehead are sealed with his seal,
Look backward and smile at the thorns and the burning.
— Sweet rest, O my soul, and no fear of returning!

Signs of Change (1888), Useful Work versus Useless Toil
Context: Worthy work carries with it the hope of pleasure in rest, the hope of the pleasure in our using what it makes, and the hope of pleasure in our daily creative skill.
All other work but this is worthless; it is slaves' work — mere toiling to live, that we may live to toil.

Source: A Dream of John Ball (1886), Ch. 1: The Men of Kent
Context: When I was journeying (in a dream of the night) down the well-remembered reaches of the Thames betwixt Streatley and Wallingford, where the foothills of the White Horse fall back from the broad stream, I came upon a clear-seen mediæval town standing up with roof and tower and spire within its walls, grey and ancient, but untouched from the days of its builders of old. All this I have seen in the dreams of the night clearer than I can force myself to see them in dreams of the day. So that it would have been nothing new to me the other night to fall into an architectural dream if that were all, and yet I have to tell of things strange and new that befell me after I had fallen asleep.

Speech, London (10 March 1880).
Context: Simplicity of life, even the barest, is not a misery, but the very foundation of refinement: a sanded floor and whitewashed walls, and the green trees, and flowery meads, and living waters outside; or a grimy palace amid the smoke with a regiment of housemaids always working to smear the dirt together so that it may be unnoticed; which, think you, is the most refined, the most fit for a gentleman of those two dwellings?
So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it. It is not because the wretched thing is so ugly and silly and useless that I ask you to cast it from you; it is much more because these are but the outward symbols of the poison that lies within them; look through them and see all that has gone to their fashioning, and you will see how vain labour, and sorrow, and disgrace have been their companions from the first — and all this for trifles that no man really needs!

The Earthly Paradise (1868-70), The Lady of the Land
Context: Noble the house was, nor seemed built for war,
But rather like the work of other days,
When men, in better peace than now they are,
Had leisure on the world around to gaze,
And noted well the past times' changing ways;
And fair with sculptured stories it was wrought,
By lapse of time unto dim ruin brought.

Signs of Change (1888), How We Live And How We Might Live
Context: The word Revolution, which we Socialists are so often forced to use, has a terrible sound in most people's ears, even when we have explained to them that it does not necessarily mean a change accompanied by riot and all kinds of violence, and cannot mean a change made mechanically and in the teeth of opinion by a group of men who have somehow managed to seize on the executive power for the moment. Even when we explain that we use the word revolution in its etymological sense, and mean by it a change in the basis of society, people are scared at the idea of such a vast change, and beg that you will speak of reform and not revolution. As, however, we Socialists do not at all mean by our word revolution what these worthy people mean by their word reform, I can't help thinking that it would be a mistake to use it, whatever projects we might conceal beneath its harmless envelope. So we will stick to our word, which means a change of the basis of society; it may frighten people, but it will at least warn them that there is something to be frightened about, which will be no less dangerous for being ignored; and also it may encourage some people, and will mean to them at least not a fear, but a hope.

Source: A Dream of John Ball (1886), Ch. 4: The Voice of John Ball
Context: Forsooth, he that waketh in hell and feeleth his heart fail him, shall have memory of the merry days of earth, and how that when his heart failed him there, he cried on his fellow, were it his wife or his son or his brother or his gossip or his brother sworn in arms, and how that his fellow heard him and came and they mourned together under the sun, till again they laughed together and were but half sorry between them. This shall he think on in hell, and cry on his fellow to help him, and shall find that therein is no help because there is no fellowship, but every man for himself.

"March".
The Earthly Paradise (1868-70)
Context: Rejoice, lest pleasureless ye die.
Within a little time must ye go by.
Stretch forth your open hands, and while ye live
Take all] the [[gifts that Death and Life may give!

The Earthly Paradise (1868-70), The Lady of the Land
Context: So on he went, and on the way he thought
Of all the glorious things of yesterday,
Nought of the price whereat they must be bought,
But ever to himself did softly say
"No roaming now, my wars are passed away,
No long dull days devoid of happiness,
When such a love my yearning heart shall bless."

The Earthly Paradise (1868-70), The Lady of the Land
Context: Ah! wilt thou leave me then without one kiss,
To slay the very seeds of fear and doubt,
That glad to-morrow may bring certain bliss?
Hast thou forgotten how love lives by this,
The memory of some hopeful close embrace,
Low whispered words within some lonely place?

"The Death of Paris".
The Earthly Paradise (1868-70)
Context: Forgetfulness of grief I yet may gain;
In some wise may come ending to my pain;
It may be yet the Gods will have me glad!
Yet, Love, I would that thee and pain I had!

Love is Enough (1872), Song V: Through the Trouble and Tangle
Context: Love is enough: through the trouble and tangle
From yesterday's dawning to yesterday's night
I sought through the vales where the prisoned winds wrangle,
Till, wearied and bleeding, at end of the light
I met him, and we wrestled, and great was my might.