W. H. Auden: Use

“The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing? But nobody says this. The self-appointed unqualified nurse says: "You are to sing the patient a song which will make him believe that I, and I alone, can cure him. If you can't or won't, I shall confiscate your passport and send you to the mines." And the poor patient in his delirium cries: "Please sing me a song which will give me sweet dreams instead of nightmares. If you succeed, I will give you a penthouse in New York or a ranch in Arizona."”

W. H. Auden book The Dyer's Hand

"Writing", p. 27
The Dyer's Hand, and Other Essays (1962)

God , Dreams , Singing

“Money is the necessity that frees us from necessity.”

W. H. Auden book Forewords and Afterwords

"A Poet of the Actual", p. 266
Forewords and Afterwords (1973)
Context: Money is the necessity that frees us from necessity. Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic.

Money

“How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.”

W. H. Auden

The More Loving One (1957)

Love , Star , Passion

“A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.”

W. H. Auden

Source: Paris Review interview (1972), p. 251

“Let us then
Consider rather the incessant Now of
The traveler through time, his tired mind
Biased towards bigness since his body must
Exaggerate to exist, possessed by hope…”

W. H. Auden book The Age of Anxiety

Prologue
The Age of Anxiety (1948)

Hope , Travel , Time

“A god who is both self-sufficient and content to remain so could not interest us enough to raise the question of his existence.”

W. H. Auden book Forewords and Afterwords

"The Greeks and Us", p. 15
Forewords and Afterwords (1973)

God , Question

“Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse.”

W. H. Auden September 1, 1939

Source: September 1, 1939 (1939), Lines 34–39

“Let us honour if we can
The vertical man
Though we value none
But the horizontal one.”

W. H. Auden book Poems

Dedication to Christopher Isherwood, Poems (1930)

“On that arid square, that fragment nipped off from hot
Africa, soldered so crudely to inventive Europe;
On that tableland scored by rivers,
Our thoughts have bodies; the menacing shapes of our feverAre precise and alive. For the fears which made us respond
To the medicine ad and the brochure of winter cruises
Have become invading battalions;
And our faces, the institute-face, the chain-store, the ruinAre projecting their greed as the firing squad and the bomb.
Madrid is the heart. Our moments of tenderness blossom
As the ambulance and the sandbag;
Our hours of friendship into a people's army.”

W. H. Auden book Spain

Source: Spain (1937), Lines 65–76

Friendship , People , Fear , Winter

“Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice; With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress; In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.”

W. H. Auden

Source: In Memory of W.B. Yeats (1939), Lines 66–77

Singing , Heart , Night

“And the poor in their fireless lodgings, dropping the sheets
Of the evening paper: "Our day is our loss, O show us
History the operator, the
Organiser, Time the refreshing river." And the nations combine each cry, invoking the life
That shapes the individual belly and orders
The private nocturnal terror:
"Did you not found the city state of the sponge,"Raise the vast military empires of the shark
And the tiger, establish the robin's plucky canton?
Intervene. Descend as a dove or
A furious papa or a mild engineer, but descend."”

W. H. Auden book Spain

Source: Spain (1937), Lines 33–44

Life , History , Loss , Time

“A real book reads us.”

W. H. Auden

Reported by Lionel Trilling in "On the Modern Element in Modern Literature", Partisan Review, January-February 1961, p. 15 (reprinted in Trilling's Beyond Culture, 1965): Trilling wrote: "taking the cue of W. H. Auden's remark that a real book reads us, I have been read by Eliot's poems...".
More commonly reported as "a real book is not one that we read but one that reads us". This paraphrase of Trilling's reported quotation first appeared in a review by Robie Macauley of Trilling's Beyond Culture in the New York Times Book Review, 14 November 1965, p. 38: "I must borrow a phrase from Mr. Trilling (who borrows it from W. H. Auden): a real book is not one that we read but one that reads us." The same version, attributed to Auden, appears in Evan Esar, 20,000 Quips & Quotes (1968), p. 87 (with a comma after "we read"). There is no evidence that Auden ever wrote or said this version of the phrase.
Other variations (e.g. "not one that's read" for "not one that we read") seem to be misrecollections of Robie Macaulay's paraphrase.
Reported quotations

Books , Reading

“the first flint was flaked this landing was merely
a matter of time. But our selves, like Adam's,
still don't fit us exactly, modern
only in this—our lack of decorum.”

W. H. Auden

Source: Moon Landing (1969), Lines 10–16

Time

“The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing? But nobody says this. The self-appointed unqualified nurse says: "You are to sing the patient a song which will make him believe that I, and I alone, can cure him. If you can't or won't, I shall confiscate your passport and send you to the mines."”

W. H. Auden book The Dyer's Hand

And the poor patient in his delirium cries: "Please sing me a song which will give me sweet dreams instead of nightmares. If you succeed, I will give you a penthouse in New York or a ranch in Arizona."
"Writing", p. 27
The Dyer's Hand, and Other Essays (1962)

Singing , Self-confidence , God , Making love

“And the poor in their fireless lodgings, dropping the sheets
Of the evening paper: "Our day is our loss, O show us
History the operator, the
Organiser, Time the refreshing river."”

W. H. Auden book Spain

<p> And the nations combine each cry, invoking the life
That shapes the individual belly and orders
The private nocturnal terror:
"Did you not found the city state of the sponge,<p>"Raise the vast military empires of the shark
And the tiger, establish the robin's plucky canton?
Intervene. Descend as a dove or
A furious papa or a mild engineer, but descend."
Source: Spain (1937), Lines 33–44

Loss , Time , History