Vitruvius: Wall

Vitruvius was Roman writer, architect and engineer. Explore interesting quotes on wall.
Vitruvius: 406   quotes 3   likes

“Further, at intervals they lay single stones which run through the entire thickness of the wall.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 7
Context: Our workmen, in their hurry to finish, devote themselves only to the facings of the walls, setting them upright but filling the space between with a lot of broken stones and mortar thrown in anyhow. This makes three different sections in the same structure; two consisting of facing and one of filling between them. The Greeks, however, do not build so; but laying their stones level and building every other stone lengthwise into the thickness, they do not fill the space between, but construct the thickness of their walls in one solid and unbroken mass from the facings to the interior. Further, at intervals they lay single stones which run through the entire thickness of the wall. These stones... by their bonding powers... add very greatly to the solidity of the walls.

“In the thickness there should be set a very close succession of ties made of charred olive wood, binding the two faces of the wall together like pins, to give it lasting endurance.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter V, Sec. 3
Context: The thickness of the wall should, in my opinion, be such that armed men meeting on top of it may pass one another without interference. In the thickness there should be set a very close succession of ties made of charred olive wood, binding the two faces of the wall together like pins, to give it lasting endurance. For that is a material which neither decay, nor the weather, nor time can harm, but even though buried in the earth or set in the water it keeps sound and useful forever. And so not only city walls but substructures in general and all walls that require a thickness like that of a city wall, will be long in falling to decay if tied in this manner.

“As for Mars, when that divinity is enshrined outside the walls, the citizens will never take up arms against each other, and he will defend the city from its enemies and save it from danger in war.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VII, Sec. 1
Context: For the temples, the sites for those of the gods under whose particular protection the state is thought to rest and for Jupiter, Juno, and Minerva, should be on the very highest point commanding a view of the greater part of the city. Mercury should be in the forum, or, like Isis and Serapis, in the emporium; Apollo and Father Bacchus near the theater; Hercules at the circus in communities which have no gymnasia nor amphitheatres; Mars outside the city but at the training ground, and so Venus, but at the harbor. It is moreover shown by the Etruscan diviners in treatises on their science that the fanes of Venus, Vulcan, and Mars should be situated outside the walls, in order that the young men and married women may not become habituated in the city to the temptations incident to the worship of Venus, and that buildings may be free from the terror of fires through the religious rites and sacrifices which call the power of Vulcan beyond the walls. As for Mars, when that divinity is enshrined outside the walls, the citizens will never take up arms against each other, and he will defend the city from its enemies and save it from danger in war.

“In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IV "Sand" Sec. 1
Context: In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it. The kinds of pitsand are these: black, gray, red, and carbuncular. Of these the best will be found to be that which crackles when rubbed in the hand, while that which has much dirt in it will not be sharp enough. Again: throw some sand upon a white garment and then shake it out; if the garment is not soiled and no dirt adheres to it, the sand is suitable.

“The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 17
Context: With the present importance of the city [of Rome] and the unlimited numbers of its population, it is necessary to increase the number of dwelling-places indefinitely. Consequently, as the ground floors could not admit of so great a number living in the city, the nature of the case has made it necessary to find relief by making the buildings high. In these tall piles reared with piers of stone, walls of burnt brick, and partitions of rubble work, and provided with floor after floor, the upper stories can be partitioned off into rooms to very great advantage. The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.

“Bricks will be most serviceable if made two years before using; for they cannot dry thoroughly in less time. When fresh undried bricks are used in a wall, the stucco covering”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter III, Sec. 2
Context: Bricks will be most serviceable if made two years before using; for they cannot dry thoroughly in less time. When fresh undried bricks are used in a wall, the stucco covering stiffens and hardens into a permanent mass, but the bricks settle and... the motion caused by their shrinking prevents them from adhering to it, and they are separated from their union with it.... at Utica in constructing walls they use brick only if it is dry and made five years previously, and approved as such by the authority of a magistrate.

“In Sparta, paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 9
Context: In Sparta, paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium to adorn the aedileship of [C. Visellius] Varro and [C. Licinius] Murena.

“The system of fortification by wall and towers may be made safest by the addition of earthen ramparts.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter V, Sec. 5