Tomasz Vetulani: Working

“I have been working with silicone for years. While still studying, I painted on unusual materials, for example on a soft felt. I like material that easily surrenders – you can tame them and "go out" to the third dimension, and at the same time sanctify something that is considered ordinary. Once, I painted on sponges over twenty centimeters long, which create a great illusion of sandstone.”

Tomasz Vetulani

Tomasz Vetulani o Holandii, niskim kraju http://www.nto.pl/apps/pbcs.dll/article?AID=/20110605/REPORTAZ01/762330357, nto.pl, 5 June 2011 (in Polish)

Study , Time , Painting

“I have a need to create works that are not just shocking, or say: striking, smashing – but also such works that can become companions of my various life events, and become companions of other people in their situations. These are the works that I create from the deep need to communicate with my sense and my ideal of beauty.”

Tomasz Vetulani

There is no threat. Weapons and colour https://www.youtube.com/watch?v=qqfjr78Pyfs, video, Galeria Olympia, 23 November 2017 (in Polish)

Life , People , Beauty , Communication

“Tomasz Vetulani's work balances between two fascinating axes, producing an image of an artist juggling various means of expression. From intriguing and expressive objects, made by him from, say, hot white glue or black silicon, with strong social and political connotations - to subtle images-objects, evoking fleeting states, where the sensitive eye of the artist touches the sublimation of certain senses.”

Tomasz Vetulani

Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017

Sense , Strong

“I like working on sponge because it's a simple, light material and always ready to use. The colour and texture meet my aesthetic requirements and it has a lolof volume and physically, is very present in the space. The ink or paint is immediately absorbed into the foam surface, making any corrections almost impossible. It is a material which lends itself to quick, fast application and is particularly good for spontaneous sketching with paint squeezed directly from the tube. The fact that these works will not last (sponge is not a very durable material) does not deter me; it suits the character of the work very well and to an extent reflects my ideas about art.”

Tomasz Vetulani

At the time of writing exhibition catalogue, the Center for Contemporary Art Ujazdowski Castle in Warsaw, 1998.

Art , Idea , Light , Painting

“He deliberately rejects the classic beauty of the form for the sake of fragility, transience or simply greater sensitivity to what is present. His work has a mockery and ironic character. He looks critically and with great apprehension at Poland, he does it from the perspective of an emigrant, from culturally and socially different Netherlands, which became a new homeland for him.”

Tomasz Vetulani

Fred Gijbels, Curatorial text accompanying exhibition Multi-Kulti http://dom-norymberski.com/multi-kulti-wystawa/, 2018

Beauty

“The illusionary nature of a two dimensional work of art can sometimes frustrate my creative process. I overcome this by stepping out of the flat illusion into the three dimensional and create sculptures of wood and bronze.”

Tomasz Vetulani

Vetulani.nl (The website of Tomasz Vetulani) https://web.archive.org/web/20220505122011/https://www.vetulani.nl/sculptures, archived from the original https://www.vetulani.nl/sculptures (accessed on May 5th, 2022)

Art , Nature