Susan Sontag: Quotes about people

Susan Sontag was American writer and filmmaker, professor, and activist. Explore interesting quotes on people.
Susan Sontag: 336   quotes 33   likes

“To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better.”

Susan Sontag

"Susan Sontag Finds Romance," interview by Leslie Garis, The New York Times (2 August 1992)
Context: To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better. A better state of one's feelings or simply the idea of a silence in one's self that allows one to think or to feel. Which to me is the same.

People , Art , Literature , Idea

“I guess I think I'm writing for people who are smarter than I am, because then I'll be doing something that's worth their time.”

Susan Sontag

"The Risk Taker" http://books.guardian.co.uk/departments/politicsphilosophyandsociety/story/0,,635799,00.html, profile/interview by Gary Younge, The Guardian (19 January 2002)
Context: I guess I think I'm writing for people who are smarter than I am, because then I'll be doing something that's worth their time. I'd be very afraid to write from a position where I consciously thought I was smarter than most of my readers.

People , Thinking , Time

“Interpretation is not (as most people assume) an absolute value, a gesture of mind situated in some timeless realm of capabilities.”

Susan Sontag

Source: Against Interpretation and Other Essays (1966), p. 6
Context: Interpretation is not (as most people assume) an absolute value, a gesture of mind situated in some timeless realm of capabilities. Interpretation must itself be evaluated, within a historical view of human consciousness. In some cultural contexts, interpretation is a liberating act. It is a means of revising, of transvaluing, of escaping the dead past. In other cultural contexts, it is reactionary, impertinent, cowardly, stifling.

People

“People do these things to other people. Not just in Nazi concentration camps and in Abu Ghraib when it was run by Saddam Hussein. Americans, too, do them when they have permission. When they are told or made to feel that those over whom they have absolute power deserve to be mistreated, humiliated, tormented.”

Susan Sontag

Regarding the Torture of Others (2004)
Context: People do these things to other people. Not just in Nazi concentration camps and in Abu Ghraib when it was run by Saddam Hussein. Americans, too, do them when they have permission. When they are told or made to feel that those over whom they have absolute power deserve to be mistreated, humiliated, tormented. They do them when they are led to believe that the people they are torturing belong to an inferior, despicable race or religion. For the meaning of these pictures is not just that these acts were performed, but that their perpetrators had no sense that there was anything wrong in what the pictures show.

People , Feeling

“Americans have it right. Europeans are not in an evangelical — or a bellicose — mood.
Indeed, sometimes I have to pinch myself to be sure I am not dreaming: that what many people in my own country now hold against Germany, which wreaked such horrors on the world for nearly a century — the new "German problem," as it were — is that Germans are repelled by war; that much of German public opinion is now virtually … pacifist!”

Susan Sontag

Frankfurt Book Fair speech (2003)

War , People , World , Dreams

“The charges against most of the people detained in the prisons in Iraq and Afghanistan being nonexistent — the Red Cross reports that 70 to 90 percent of those being held seem to have committed no crime other than simply being in the wrong place at the wrong time, caught up in some sweep of "suspects" — the principal justification for holding them is "interrogation." Interrogation about what? About anything.”

Susan Sontag

Regarding the Torture of Others (2004)
Context: The charges against most of the people detained in the prisons in Iraq and Afghanistan being nonexistent — the Red Cross reports that 70 to 90 percent of those being held seem to have committed no crime other than simply being in the wrong place at the wrong time, caught up in some sweep of "suspects" — the principal justification for holding them is "interrogation." Interrogation about what? About anything. Whatever the detainee might know. If interrogation is the point of detaining prisoners indefinitely, then physical coercion, humiliation and torture become inevitable.
Remember: we are not talking about that rarest of cases, the "ticking time bomb" situation, which is sometimes used as a limiting case that justifies torture of prisoners who have knowledge of an imminent attack. This is general or nonspecific information-gathering, authorized by American military and civilian administrators to learn more of a shadowy empire of evildoers about whom Americans know virtually nothing, in countries about which they are singularly ignorant: in principle, any information at all might be useful. An interrogation that produced no information (whatever information might consist of) would count as a failure.

People , Time

“I envy paranoids; they actually feel people are paying attention to them.”

Susan Sontag

Source: "Susan Sontag Finds Romance," interview by Leslie Garis, The New York Times (2 August 1992)

People , Feeling , Envy

“The camera makes everyone a tourist in other people's reality, and eventually in one's own.”

Susan Sontag book On Photography

"Melancholy Objects", p. 57
On Photography (1977)

People , Reality

“I don’t care about someone being intelligent; any situation between people, when they are really human with each other, produces ‘intelligence.”

Susan Sontag
People , Intelligence

“Mad people = People who stand alone and burn.
I'm attracted to them because they give me permission to do the same.”

Susan Sontag
People , Madness

“Wherever people feel safe (…) they will be indifferent.”

Susan Sontag Regarding the Pain of Others

Source: Regarding the Pain of Others

People , Feeling , Indifference

“Each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head.”

Susan Sontag book In America

Source: In America

People , Silence , Waiting

“The writer must be four people: 1) The nut, the obsede 2) The moron 3) The stylist 4) The critic. 1 supplies the material; 2 lets it come out; 3 is taste; 4 is intelligence.”

Susan Sontag
People , Intelligence

“I believe that courage is morally neutral. I can well imagine wicked people being brave and good people being timid or afraid. I don't consider it a moral virtue.”

Susan Sontag

Salon interview (2001)

People , Imagination , Courage

“I'll take the American empire any day over the empire of what my pal Chris Hitchens calls "Islamic fascism." I'm not against fighting this enemy — it is an enemy and I'm not a pacifist.
I think what happened on Sept. 11 was an appalling crime, and I'm astonished that I even have to say that, to reassure people that I feel that way. But I do feel that the Gulf War revisited is not the way to fight this enemy.”

Susan Sontag

Salon interview (2001)

War , People , Way , Feeling

“It is hard for people not to see the world in polarizing terms ("them" and us") and these terms have in the past strengthened the isolationist theme in American foreign policy as much as they now strengthen the imperialist theme. Americans have got used to thinking of the world in terms of enemies. Enemies are somewhere else, as the fighting is almost always "over there," with Islamic fundamentalism now replacing Russian and Chinese communism as the implacable, furtive menace to "our way of life." And terrorist is a more flexible word than communist. It can unify a larger number of quite different struggles and interests.”

Susan Sontag

Frankfurt Book Fair speech (2003)

Life , People , World , Way

“In some respects the use of sexual obsessions as a subject for literature resembles the use of a literary subject whose validity for fewer people would contest: religious obsessions. So compared, the familiar fact of pornography’s definite, aggressive impact upon its readers looks somewhat different. Its celebrated intention of sexually stimulating readers is really a species of proselytizing. Pornography that is serious literature aims to “excite” in the same way that books which render an extreme form of religious experience aim to “convert.””

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” pp. 47-48
Styles of Radical Will (1966)

People , Books , Way , Literature

“Since it is hardly likely that contemporary critics seriously mean to bar prose narratives that are unrealistic from the domain of literature, one suspects that a special standard is being applied to sexual themes. … There is nothing conclusive in the well-known fact that most men and women fall short of the sexual prowess that people in pornography are represented as enjoying; that the size of organs, number and duration of orgasms, variety and feasibility of sexual powers, and amount of sexual energy all seem grossly exaggerated. Yes, and the spaceships and the teeming planets depicted in science-fiction novels don’t exist either. The fact that the site of narrative is an ideal topos disqualifies neither pornography or science-fiction from being literature. … The materials of the pornographic books that count as literature are, precisely, one of the extreme forms of human consciousness. Undoubtedly, many people would agree that the sexually obsessed consciousness can, in principle, enter into literature as an art form. … But then they usually add a rider to the agreement which effectively nullifies it. They require that the author have the proper “distance” from his obsessions for their rendering to count as literature. Such a standard is sheer hypocrisy, revealing one again that the values commonly applied to pornography are, in the end, those belonging to psychiatry and social affairs rather than to art. (Since Christianity upped that ante and concentrated on sexual behavior as the root of virtue, everything pertaining to sex has been a “special case” in our culture, evoking particularly inconsistent attitudes.) Van Gogh’s paintings retain their status as art even if it seems his manner of painting owed less to a conscious choice of representational means than to his being deranged and actually seeing reality the way he painted it. … What makes a work of pornography part of the history of art rather than of trash is not distance, the superimposition of a consciousness more conformable to that of ordinary reality upon the “deranged consciousness” of the erotically obsessed. Rather, it is the originality, thoroughness, authenticity, and power of that deranged consciousness itself, as incarnated in a work.”

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” pp. 45-47
Styles of Radical Will (1966)

Women , Men , People , Books