Starhawk: Trending quotes (page 2)

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 3 : The Ethics of Magic, p. 41
Context: Sexual integrity means honestly recognizing our own impulses and desires and honoring them, whether or not we choose to act on them. If we value integrity, we must also value diversity in sexual expression and orientation, recognizing that there is no one truth, or one way, that fits everyone.
Sexuality is sacred because through it we make a connection with another self — but it is misused and perverted when it becomes an arena of power-over, a means of treating another — or oneself — as an object.

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 6 : Building Community : Processes for Groups, p. 92
Context: We are all longing to go home to some place we have never been — a place half-remembered and half-envisioned we can only catch glimpses of from time to time. Community. Somewhere, there are people to whom we can speak with passion without having the words catch in our throats. Somewhere a circle of hands will open to receive us, eyes will light up as we enter, voices will celebrate with us whenever we come into our own power. Community means strength that joins our strength to do the work that needs to be done. Arms to hold us when we falter. A circle of healing. A circle of friends. Someplace where we can be free.

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 3 : The Ethics of Magic, p. 41
Context: To live with integrity in an unjust society we must work for justice. To walk with integrity through a landscape strewn with beer cans, we must stop and pick them up.

Bodhi Tree lecture (1999)
Context: The Spiral Dance is a seed planted twenty years ago. Over the last two decades, the goddess movement has grown from many seeds like a garden of long-life flowers and healing herbs. It's a big garden — I've tended only one corner of it.

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: The Trickster represents the quality of randomness and chance in the universe, without which there could be no freedom. In the Craft the Goddess is not omnipotent. The cosmos is interesting rather than perfect, and everything is not part of some greater plan, nor is all necessarily under control. Understanding this keeps us humble, able to admit that we cannot know or control or define everything. <!-- p. 231

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: One of the great disservices a culture of domination has done to all of us is to confuse the erotic with domination and violence. The God is wild, but his is the wildness of connection, not of domination. Wildness is not the same as violence. Gentleness and tenderness do not translate into wimpiness. When men — or women, for that matter — begin to unleash what is untamed in us, we need to remember that the first images and impulses we encounter will often be the stereotyped paths of power we have learned in a culture of domination. To become truly wild, we must not be sidetracked by the dramas of power-over, the seduction of addictions, or the thrill of control. We must go deeper. <!-- p. 233

Bodhi Tree lecture (1999)
Context: The Goddess religion asserts that the earth is alive, and that everything on the earth is part of a living being. We believe that you can celebrate life in many different images and forms, that life moves in cycles of birth and growth and death and rebirth, and that the same spirit moves through nature, through the cycles of the seasons, through the birth and growth and death of plants and animals, and through our lives as human beings. There is a multiplicity of images that you can draw upon for understanding and power, but the reason we focus on the goddess is partly to counterbalance the 5,000 years worth of focus on male holy images, and partly to affirm that bringing life into the world is sacred. Our goal is not to get out of the world or to get out of life, but to integrate it, to celebrate it, to embrace it fully, and to embrace all the different cycles within it

As quoted in Infinity in Your Hand : A Guide for the Spiritually Curious (1994) by William H. Houff, p. 151
Context: Any ritual is an opportunity for transformation. To do a ritual, you must be willing to be transformed in some way. The inner willingness is what makes the ritual come alive and have power. If you aren't willing to be changed by the ritual, don't do it.

Toward an Activist Spirituality (2003)
Context: Spirituality and ritual are not something removed from the world, but are deeply embedded in it.
Reclaiming is founded on Earth-based spirituality, which rejects the split between spirit and matter, and claims nature and the physical, material world as equally sacred with the spirit.

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: Witchcraft offers the model of a religion of poetry, not theology. It presents metaphors, not doctrines, and leaves open the possibility of reconciliation of science and religion, of many ways of knowing. <!-- p. 209

As quoted in Womanspirit Rising: A Feminist Reader in Religion (1979) by Carol P. Christ and Judith Plaskow
Context: Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle. The craft is only one path among the many opening up for women, and many of us will blaze new trails as we explore the uncharted country of our own interiors. The heritage, the culture, the knowledge of the ancient priestesses, healers, poets, singers, and seers were nearly lost, but a seed survived the flames that will blossom in a new age into thousands of flowers. The long sleep of Mother Goddess is ended. May She awaken in each of our hearts — Merry meet, merry part, and blessed be.

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 1 : Power-Over and Power-From-WIthin, p. 13

As quoted in Womanspirit Rising: A Feminist Reader in Religion (1979) by Carol P. Christ and Judith Plaskow
Context: Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle. The craft is only one path among the many opening up for women, and many of us will blaze new trails as we explore the uncharted country of our own interiors. The heritage, the culture, the knowledge of the ancient priestesses, healers, poets, singers, and seers were nearly lost, but a seed survived the flames that will blossom in a new age into thousands of flowers. The long sleep of Mother Goddess is ended. May She awaken in each of our hearts — Merry meet, merry part, and blessed be.

Toward an Activist Spirituality (2003)
Context: Systems don't change easily. Systems try to maintain themselves, and seek equilibrium. To change a system, you need to shake it up, disrupt the equilibrium. That often requires conflict.
To me, conflict is a deeply spiritual place. It's the high-energy place where power meets power, where change and transformation can occur.

Toward an Activist Spirituality (2003)
Context: No sane person with a life really wants to be a political activist. When activism is exciting, it tends to involve the risk of bodily harm or incarceration, and when it's safe, it is often tedious, dry, and boring. Activism tends to put one into contact with extremely unpleasant people, whether they are media interviewers, riot cops, or at times, your fellow activists. Not only that, it generates enormous feelings of frustration and rage, makes your throat sore from shouting, and hurts your feet.
Nonetheless, at this moment in history, we are called to act as if we truly believe that the Earth is a living, conscious being that we're part of, that human beings are interconnected and precious, and that liberty and justice for all is a desirable thing.

Bodhi Tree lecture (1999)
Context: The Spiral Dance is a seed planted twenty years ago. Over the last two decades, the goddess movement has grown from many seeds like a garden of long-life flowers and healing herbs. It's a big garden — I've tended only one corner of it.

Bodhi Tree lecture (1999)
Context: We join together to earth the power of the season and to slip between the worlds, the voices saying to every one of us, "Wake up, you are it, you are a part of the circle of the wise. There is no mystery that has not already been revealed to you. There is no power you do not already have. You share in all the love there is. The goddess awakens in infinite forms and a thousand disguises. She is found where she is least expected, appears out of nowhere and everywhere to illumine the open heart. She is singing, crying, moaning, wailing, shrieking, crooning to us, to be awake, to commit ourselves to life, to be a lover in the world and of the world, to join our voices in the single song of constant change and creation. For her law is to love all beings, and she is the cup of the drink of life. The circle is ever open, ever unbroken.

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: The Censor, whose core issue is isolation and connection, splits us into Silencer and Secret-to-be-kept, tells us, "Don't speak of it; don't see it; you're the only one who ever felt that." Possessed by the Censor, we feel shame confusion, and blame, often for the victim, or we live in denial. The Censor deludes us with the belief that the pain we are in will go away if we don't name it or speak of it.