Samuel R. Delany: Use

“A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind.”

Samuel R. Delany book The Jewels of Aptor

Source: The Jewels of Aptor (1962), Chapter X (p. 133)
Context: A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind. For no matter how good his intentions are when he takes up the power, his alternate reason is that freedom, the freedom of other people and ultimately his own, terrifies him. Only a man afraid of freedom would want this power, who could conceive of wielding it. And that fear of freedom will turn him into a slave of this power.

Men , Home , History

“Dictators during the entire history of this planet have used similar techniques. By not letting the people of their country know what conditions existed outside their boundaries, they could get the people to fight to stay in those conditions.”

Samuel R. Delany book The Jewels of Aptor

Source: The Jewels of Aptor (1962), Chapter X (p. 133)
Context: Dictators during the entire history of this planet have used similar techniques. By not letting the people of their country know what conditions existed outside their boundaries, they could get the people to fight to stay in those conditions. It was the old adage: Convince a slave that he’s free, and he will fight to maintain his slavery.

People , History , Fight , Country

“Endings to be useful must be inconclusive.”

Samuel R. Delany

“You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death—that is drawn on another part of the soul entirely…But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 5, “Of Matrons, Mornings, Motives, and Machinations” (p. 103; ellipsis represents a minor elision of description)

Death , Women , People , Beauty

“One would almost think that they [straight white males] felt empowered to take anything the society produced, no matter how marginal, and utilize it for their own ends — dare we say "exploit it"? — certainly to take advantage of it as long as it's around. And could this possibly be an effect of discourse? Perhaps it might even be one we on the margins might reasonably appropriate to our profit… or perhaps some of us already have.”

Samuel R. Delany

The Rhetoric of Sex, The Discourse of Desire

Thinking

“While any situation could be used as an image of any other, no thing could be an image of another—especially two things as complicated as two people. And to use them as such was to abuse them and delude oneself—that it was the coherence and ability of things (especially people) to be their unique and individual selves that allowed the malleability and richness of images to occur at all.”