Samuel R. Delany: Other

“A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind.”

Samuel R. Delany book The Jewels of Aptor

Source: The Jewels of Aptor (1962), Chapter X (p. 133)
Context: A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind. For no matter how good his intentions are when he takes up the power, his alternate reason is that freedom, the freedom of other people and ultimately his own, terrifies him. Only a man afraid of freedom would want this power, who could conceive of wielding it. And that fear of freedom will turn him into a slave of this power.

Men , Home , History

“With adolescence, Pryn had certainly taken on the sometimes troubling knowledge that almost anything with an outside and an inside supporting movement from one to the other could be sexually suggestive.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 8, “Of Models, Moonlight, Mystery, and Authority” (p. 199)

Support , Knowledge

“Difference is the foundation of those buildings, the pilings beneath the docks, tangled in the roots of the trees. Half the place was built on it. The other half couldn’t live without it. But to talk about it in public reveals you to be ill-mannered and vulgar.”

Samuel R. Delany book The Einstein Intersection

Section 9
The Einstein Intersection (1967)

Tree

“You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death—that is drawn on another part of the soul entirely…But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 5, “Of Matrons, Mornings, Motives, and Machinations” (p. 103; ellipsis represents a minor elision of description)

Death , Women , People , Beauty

“The problem you have put me will remain a problem till the globe of the world and the globe of the sun meet in their common center and the one consumes the other. This answer I have proposed, however, humanity will know and forget, know and forget, know and forget again. And that knowing and forgetting will approximate the peaks and depths of civilization as closely as the quotient of your tosses approximates that number which, rationally, we know is not there.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 12, “Of Models, Monsters, Night, and the Numinous” (p. 358)

World , Problem , Sun , Forgetting

“Topologically, men and women are identical. Some things are just larger and more developed in one than the other and positioned differently.”

Samuel R. Delany book Triton

Source: Triton (1976), Chapter 6 “Objective Knowledge” (p. 266)

Women , Men

“While any situation could be used as an image of any other, no thing could be an image of another—especially two things as complicated as two people. And to use them as such was to abuse them and delude oneself—that it was the coherence and ability of things (especially people) to be their unique and individual selves that allowed the malleability and richness of images to occur at all.”

Samuel R. Delany book Tales of Nevèrÿon

Section 2 (pp. 102-103)
Tales of Nevèrÿon (1979)

People

“To write for others,’ she thought, ‘it seems one must be a spy—or a teller of tales.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 11, “Of Family Gatherings, Grammatology, More Models, and More Mysteries” (p. 313)

“Imagination should be used for something other than pondering murder, don’t you think?”

Samuel R. Delany book Babel-17

Part 2, Chapter 4
Babel-17 (1966)

Imagination , Thinking

“What do you see, Captain?”
“Two boys with hands locked for a fight. You see how one is light and the other is dark? I see love against death, light against darkness, chaos against order. I see the clash of all opposites under…the sun. I see Prince and myself.”
“Which is which?”

Samuel R. Delany book Nova

“I don’t know, Mouse.”
Source: Nova (1968), Chapter 4 (p. 119)

Love , Death , Boy , Light

“You know, Mouse, I envy the captain. He’s got a mission. And his obsession precludes all that wondering about what other people think of him.”

Samuel R. Delany book Nova

Source: Nova (1968), Chapter 6 (p. 158)

People , Thinking , Envy

“At a certain point I came to the conclusion that one of the murderous aspects of the AIDS crisis was that people were used to not talking about sexual experiences in detail. Gay sex for instance does not cause AIDS. There are certain acts that transmit a virus and there are certain other acts that don’t transmit a virus. If you don’t talk about what goes on in sexuality, so that you know what particular acts you’re dealing with, then I think you're, possibly in an indirect way but never-the-less in a very real way, contributing to an atmosphere of ignorance which the result is people die.”

Samuel R. Delany

Spoken Arts interview on WBFO 88.7, 20th April 2000.

People , Sex , Way , Thinking

“Earth, the world, the fifth planet from the sun—the species that stands on two legs and roams this thin wet crust: it’s changing, Lobey. It’s not the same. Some people walk under the sun and accept that change, others close their eyes, clap their hands to their ears, and deny the world with their tongues.”

Samuel R. Delany book The Einstein Intersection

Section 11 (in the far future of the novel, the sun has captured two more planets)
The Einstein Intersection (1967)

People , World , Change , Sun

“I confess, the Amnewor is new to me. Yes, I’ve heard the name—as a minor fact in some other god’s story. Precisely what it did, though, I can’t remember. That, of course, makes it more intriguing. Death. It was associated with endless, mindless, pointless death. But which of them isn’t?”

Samuel R. Delany book Flight from Nevèrÿon

Section 9.81 (p. 273)
Flight from Nevèrÿon (1985)

God , Death , Making love

“Content, of course, must have some form. And form, of course, creates its content/commentary. This is why their chimeras have chased each other through moment after moment of history, the intense perception of one or the other producing the overwhelming effect: Art.”

Samuel R. Delany book Flight from Nevèrÿon

Section 8.21 (p. 232)
Flight from Nevèrÿon (1985)

History , Art

“Life is hard for everyone, and we must not take credit ourselves for the little that others can do with theirs. Rather look instead to whom we can give credit, if not thanks, for what little we have been able to do with our own.”

Samuel R. Delany book Flight from Nevèrÿon

Source: Flight from Nevèrÿon (1985), Chapter 2, “The Mummer’s Tale” Section 1 (p. 134)

Life

“I still feel that style is important for reading pleasure, and sex is important for pleasure in life. Each appeases a different type of desire. And while I find nothing shameful in taking direct erotic pleasure from reading or writing, I don’t think they entail a necessary relation. The processes you have me describing are contingent psychological processes. Neither marks one end nor the other of any necessary or even philosophical relationship…”

Samuel R. Delany

On including sexual themes in his writings in “Samuel R. Delany, The Art of Fiction No. 210” https://www.theparisreview.org/interviews/6088/samuel-r-delany-the-art-of-fiction-no-210-samuel-r-delany in The Paris Review (Summer 2011)

Reading , Pleasure , Sex , Thinking