Roger Manganelli: Thing

“Roger: It seems that way – it’s kind of weird how things are with music these days. You’re not really touring for the record anymore ‘cause no one buys the record. Everything’s downloaded and all that kind of stuff. We have the new songs but we’re still just touring because we’d be on tour anyway, ya know what I mean. So yeah we’re still touring in support of the new record but the new record is kind of supporting us sort of”

“Roger: I also have been producing/recording more and more, and that takes time, too. But that's what i always wanted to do, work on music,, so it's not a bad thing.”

“Roger: This place called Common Grounds that used to be called the Covered Dish. We’ve been playing there over the last thirteen years so that feels the most home-ish. [some background chatter] Yeah the old room moved to where the Covered Dish used to be, the old room is a club that’s called 1982 that my friend owns. That’s a cool little club. That’s more where I go to hangout than Common Grounds. Common Grounds is kind of hectic and that kind of thing but yeah it’s the same owner as it was from the little place.”

“Roger: Yeah, we're kind of like a rock band with a horn section and high energy. That is how I do say it when I meet people who have no idea who we are. Well, it's like fast reggae and a lot of singing and harmonies. There's a lot of jumping and sweating involved. There's a lot of exchanged energy. A high energy level kind of thing. I really don't like bands who stand around and stare at their shoes and don't really have anything to say.”

“Roger: New bands.. old bands - whatever. It's kind of weird. I guess I stay out of the loop on new bands, younger bands an who's getting signed or how many records this band is making. Persoanlly I don't care about things like that. I like melodies and lyrics and songs and energy. Isn't that what's it all about?”

“Roger: Let's see.. Chris and Vinnie knew each other in high school and were in bands and then moved to Gainesville, Florida for college. I moved to Gainesville, Florida for college. And then Chris had a party and I told him I played guitar. Which I played guitar at that time. And he said you should come and play guitar then I went to practice with a guitar and then they're like, "Oh, by the way, we're going to be kicking out our bass player - would you mind playing bass?" I said OK. So I went out and bought a bass and that was in '92. And that's how it started. Then we started getting into the horn player thing. Shuffled a few horn players over the years but it's been the same main four guys the whole time.”

“Roger: No, not anyone in the band. No, not really. We don't get that. There was one time where we played a show and we were playing at Sunlight Convention Center or something and they just had no idea what they were doing security wise. Kids were dancing and stuff and kicking stuff on the stage and this security guy had no idea on what to do so he just pushes this kid right off the stage and he just falls and breaks his leg in like a second! There's been some stories like that. Faulty employees, I called it. (laughs) You have no idea what to expect. Sometimes we'll play a college show and we'll just show up and start doing our thing and security's like stop, no moshing, no crowd surfing, no circle pits or whatever. Well, why did you have us play here? Don't you know that's what we do? Haven't you ever heard of us before? That's what we do! We get people excited, get them running around! They're going to jump around! That's what we're trying to do!! (laughs) Get some energy flowing between us.”

“Roger: See.. that's a tough question 'cause I went to a lot of really small shows for bands that nobody knew who they really were 'cause that's the kind of thing that I grew up on - was like going to clubs and stuff. The first like real, real concert that I went to was U2 at the Orange Bowl in Miami for the Joshua Tree Tour. I think it was in '87? Something like that. Yeah… I think that was it. We were way up in the nosebleeds and Bono was like this big! (Roger shows thumb and index finger really close) (all laugh) But, that's what I thought a concert was at that point - really huge. Everything else was more like a rehearsal or you know.. club shows. Like oh, that's nothing - 500 kids. It doesn't seem that weird. I've played in front of 500 kids at my piano recitals and I didn't think it was a big deal.”

“Roger: Umm.. I don't know! It's kind of um.. a little more.. it's more in the darks of being really singy songy. It's nothing super blazing fast. There's not any super slow reggae kind of thing that we've done before. It's not like that. It's sort of in the tempo and sort of really poppy and really catchy. There's some really good stuff. There are some songs I'm really excited about. It's always been melody based I think. When we did our last record, we wrote like 32 songs and they ended coming out on two separate CDs. And this time we didn't really do that! We kind of just took 15 ideas and used those as the focal point and then we wrote around those and just improved on those 14 and kept bringing things in and out of those songs as opposed to having a whole bunch of songs. Whether that's better or not, I don't know. It definitely seems a bit more focused. We don't have a bunch of extra songs or anything like that. When is was time to actually record, we have everything pretty well sorted and that was cool. There's definitely some good stuff on there.”

“Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance.”

“Roger: Yeah, we got out of our major label stuff and we’re just doing our own thing.”

“Roger: On a single tour.. Hmm.. Probably more than five. Cause when we first started, we had a really old van. It was a '79 Chevy. It was like the kind of thing where we'd pull over and get gas and it'd need two quarts of oil every time. That kind of thing. It'd break down pretty frequently. We have bad luck with vans. It's some sort of curse. But, then we got another one after that and that one was good to us for many years.”

“Roger:I think everyone can take different things from the lyrics, so it's up to you if you feel there is a theme,, to me, it's obviously LTJ lyrics and so it's always sort of dark, yet positive at the same time. I think the lyrics usually have some sort of light at the end of the tunnel ideal going on”

“Roger: It’s a little more freedom, sort of, but it’s more work, too, to keep up with all the little things. It’s kinda worth it, I guess; nobody really buys CDs so it really doesn’t matter.”

“Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds.”

“Roger: It's all right,, they seem to be backing the new record, and aside from the typical major label red tape - where it takes forever to get things done - I think Warner is still into the band.”

“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

“Roger: I think the best show is every night. I don't know every night we pretty much have the best show. We don't really have bad shows. The only thing that would contribute to a bad show is if nobody showed up. But, people do show up - so I can't really say. We did this tour in Australia and it was like a.. we were playing way out in Perth - you know, like in the middle of nowhere, the most remote city on the planet! But, we had a day off before that, so our booking agent got us to play at this tiny, tiny town north of Perth. It was a tiny club show, tiny PA, no baracade, like less then 200 kids and it was completely insaine! It was awesome! And then the next night we were playing in Perth and it was like 700 kids but the show just wasn't as awesome, you know? So it doesn't really ever matter where it is. I don't know. It wasn't a bad show!”

“Roger: That was our tenth Warped Tour, it’s out of control, we’ve played six full Warped Tours and partial Warped Tours, Australia Warped Tour, European Warped Tour, bits and pieces of US Warped Tours. We’re like those hookers that have been around so long that they don’t even have pimps anymore. Actually it’s really organized, we hadn’t been on it in three years, the whole thing, and it seems really on, not only the bands and stuff but the crew has done it so many times that they didn’t screw anything up.”