Roger Manganelli: Quotes about thinking

“Roger: Uhh.. You know.. I'm really picky and I don't actually like very many bands. The only like new band that I really like is System of A Down. I think they are amazing! It's good stuff. It's aggressive and unpredictable and I love it!!”

“Roger: It does a little bit of both I think it depends on the band. On a band that is enormously huge like Metallica it definitely hurts cause people are just going to download their stuff-period. But a smaller band maybe that hasn’t sold anything but has been able to have some good shows and get some fans out because of their MySpace or whatever you know what I mean. Using the Internet as a tool to promote the band is awesome. My sisters’ band doesn’t have a CD or whatever but they constantly pull 100 kids at their shows because they promote heavily on the internet and they stay in touch with their fans that way so it can be either or. For Less Than Jake we’re right in the middle. We definitely get a lot of paths to talk about the band, and interviews, and stuff for sale, and you know what I mean MySpace’s and Facebook’s all that kind of stuff there’s a presence there that definitely helps the band. But at the same time I know we’re one of the bands that is a victim of a lot of downloading so there you go.”

“Roger: See.. that's a tough question 'cause I went to a lot of really small shows for bands that nobody knew who they really were 'cause that's the kind of thing that I grew up on - was like going to clubs and stuff. The first like real, real concert that I went to was U2 at the Orange Bowl in Miami for the Joshua Tree Tour. I think it was in '87? Something like that. Yeah… I think that was it. We were way up in the nosebleeds and Bono was like this big! (Roger shows thumb and index finger really close) (all laugh) But, that's what I thought a concert was at that point - really huge. Everything else was more like a rehearsal or you know.. club shows. Like oh, that's nothing - 500 kids. It doesn't seem that weird. I've played in front of 500 kids at my piano recitals and I didn't think it was a big deal.”

“Roger: Umm.. I don't know! It's kind of um.. a little more.. it's more in the darks of being really singy songy. It's nothing super blazing fast. There's not any super slow reggae kind of thing that we've done before. It's not like that. It's sort of in the tempo and sort of really poppy and really catchy. There's some really good stuff. There are some songs I'm really excited about. It's always been melody based I think. When we did our last record, we wrote like 32 songs and they ended coming out on two separate CDs. And this time we didn't really do that! We kind of just took 15 ideas and used those as the focal point and then we wrote around those and just improved on those 14 and kept bringing things in and out of those songs as opposed to having a whole bunch of songs. Whether that's better or not, I don't know. It definitely seems a bit more focused. We don't have a bunch of extra songs or anything like that. When is was time to actually record, we have everything pretty well sorted and that was cool. There's definitely some good stuff on there.”

“Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance.”

“Roger: I think that we still do what the song is asking for; you can't really control what kind of songs come out while writing,, so if the songs needs horns, we'll do some horns, if not, then that's ok too. We really don't think too much about what our fans want us to write, we just try to stay true to what is best for the song.”

“Roger: Yeah, I don't know. It was awesome. It's a great feeling. I don't really know. It's built up so slowly that I can't even tell you when it actually went over the threshold of 500 kids or 1000 kids or 2000 kids or whatever - but we've stood it all. We've played with 80,000 kids at these festivals in Europe and we've played to eight kids, you know? It feels great. It feels great every time. As long as there's somebody out there singing or jumping around making an idiot out of themselves just as much as we are, then we think it's ok.”

“Roger:I think everyone can take different things from the lyrics, so it's up to you if you feel there is a theme,, to me, it's obviously LTJ lyrics and so it's always sort of dark, yet positive at the same time. I think the lyrics usually have some sort of light at the end of the tunnel ideal going on”

“Roger: It’s exciting to play new songs live, we’ve been playing “Summon Monsters” and that’s on the new record it’s fast and got some fun fast quick bass licks that are fun to play so that’s a fun one to play live. Been getting off on that lately, and I think “Conviction Notice” is super solid live and the horn line is great. It’s fun to play new songs.”

“Roger: Oh! I think just having the opportunity to be on yet another major label again after being on Capitol in the late '90s and then going to an indie label and coming back.. and now we're on Warner Brothers. Just having those kind of oppurtunities is pretty awesome. Because there are bands that struggle their whole entire life time to just like you know.. "oh, we just want to be on the radio - we want to be on a major label. That's all we really want."”

“Roger: Well no I think it goes a long way with people who are actually fans of the band. I understand that people who do buy the records are stoked when it’s something that has some value and some thought and actually looks cool. Hopefully slowly that will start to get people motivated to buy vinyl again. Not only does it sound better but you get more of an experience with the artwork and stuff and the lyric sheet in your hand rather than on your computer screen. There’s something more intimate about that. I think slowly but surely vinyl will continue to kind of hold steady even with people not buying CDs anymore.”

“Roger:I don't think its odd. I think these days, with the internet and DVDs with every CD, fans want more content, so you give it to them! I always loved watching the making of videos of bands that i like, so we thought that our fans wanna know some of our behind the scene stuff.”

“Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds.”

“Roger: It's all right,, they seem to be backing the new record, and aside from the typical major label red tape - where it takes forever to get things done - I think Warner is still into the band.”

“Roger: I think the best show is every night. I don't know every night we pretty much have the best show. We don't really have bad shows. The only thing that would contribute to a bad show is if nobody showed up. But, people do show up - so I can't really say. We did this tour in Australia and it was like a.. we were playing way out in Perth - you know, like in the middle of nowhere, the most remote city on the planet! But, we had a day off before that, so our booking agent got us to play at this tiny, tiny town north of Perth. It was a tiny club show, tiny PA, no baracade, like less then 200 kids and it was completely insaine! It was awesome! And then the next night we were playing in Perth and it was like 700 kids but the show just wasn't as awesome, you know? So it doesn't really ever matter where it is. I don't know. It wasn't a bad show!”