Roger Manganelli: Likeness

“Roger: All right, cool. Thank you. Oh great, it ends on me saying I liked a Hillary Duff song. I was hoping for something else after that. Make something up, something… to be or not to be – anything.”

“Roger: Uhh.. You know.. I'm really picky and I don't actually like very many bands. The only like new band that I really like is System of A Down. I think they are amazing! It's good stuff. It's aggressive and unpredictable and I love it!!”

“Roger: It does a little bit of both I think it depends on the band. On a band that is enormously huge like Metallica it definitely hurts cause people are just going to download their stuff-period. But a smaller band maybe that hasn’t sold anything but has been able to have some good shows and get some fans out because of their MySpace or whatever you know what I mean. Using the Internet as a tool to promote the band is awesome. My sisters’ band doesn’t have a CD or whatever but they constantly pull 100 kids at their shows because they promote heavily on the internet and they stay in touch with their fans that way so it can be either or. For Less Than Jake we’re right in the middle. We definitely get a lot of paths to talk about the band, and interviews, and stuff for sale, and you know what I mean MySpace’s and Facebook’s all that kind of stuff there’s a presence there that definitely helps the band. But at the same time I know we’re one of the bands that is a victim of a lot of downloading so there you go.”

“Roger: Yeah, we're kind of like a rock band with a horn section and high energy. That is how I do say it when I meet people who have no idea who we are. Well, it's like fast reggae and a lot of singing and harmonies. There's a lot of jumping and sweating involved. There's a lot of exchanged energy. A high energy level kind of thing. I really don't like bands who stand around and stare at their shoes and don't really have anything to say.”

“Roger: New bands.. old bands - whatever. It's kind of weird. I guess I stay out of the loop on new bands, younger bands an who's getting signed or how many records this band is making. Persoanlly I don't care about things like that. I like melodies and lyrics and songs and energy. Isn't that what's it all about?”

“Roger: Let's see.. Chris and Vinnie knew each other in high school and were in bands and then moved to Gainesville, Florida for college. I moved to Gainesville, Florida for college. And then Chris had a party and I told him I played guitar. Which I played guitar at that time. And he said you should come and play guitar then I went to practice with a guitar and then they're like, "Oh, by the way, we're going to be kicking out our bass player - would you mind playing bass?" I said OK. So I went out and bought a bass and that was in '92. And that's how it started. Then we started getting into the horn player thing. Shuffled a few horn players over the years but it's been the same main four guys the whole time.”

“Roger: Umm.. I had a lot of different phases when I was younger. When I was really little, I liked a lot of stuff like, Iron Maiden, Kiss, and Def Leppard and like Aerosmith. Stuff like that. That's what I grew up on in the '70s you know. Metal like Slayer and Metallica and then I got into punk rock and metal when I was in junior high. like The Descendents and like Operation Ivy and you know.. that whole era of stuff.”

“Roger: No, not anyone in the band. No, not really. We don't get that. There was one time where we played a show and we were playing at Sunlight Convention Center or something and they just had no idea what they were doing security wise. Kids were dancing and stuff and kicking stuff on the stage and this security guy had no idea on what to do so he just pushes this kid right off the stage and he just falls and breaks his leg in like a second! There's been some stories like that. Faulty employees, I called it. (laughs) You have no idea what to expect. Sometimes we'll play a college show and we'll just show up and start doing our thing and security's like stop, no moshing, no crowd surfing, no circle pits or whatever. Well, why did you have us play here? Don't you know that's what we do? Haven't you ever heard of us before? That's what we do! We get people excited, get them running around! They're going to jump around! That's what we're trying to do!! (laughs) Get some energy flowing between us.”

“Roger: See.. that's a tough question 'cause I went to a lot of really small shows for bands that nobody knew who they really were 'cause that's the kind of thing that I grew up on - was like going to clubs and stuff. The first like real, real concert that I went to was U2 at the Orange Bowl in Miami for the Joshua Tree Tour. I think it was in '87? Something like that. Yeah… I think that was it. We were way up in the nosebleeds and Bono was like this big! (Roger shows thumb and index finger really close) (all laugh) But, that's what I thought a concert was at that point - really huge. Everything else was more like a rehearsal or you know.. club shows. Like oh, that's nothing - 500 kids. It doesn't seem that weird. I've played in front of 500 kids at my piano recitals and I didn't think it was a big deal.”

“Roger: Umm.. I don't know! It's kind of um.. a little more.. it's more in the darks of being really singy songy. It's nothing super blazing fast. There's not any super slow reggae kind of thing that we've done before. It's not like that. It's sort of in the tempo and sort of really poppy and really catchy. There's some really good stuff. There are some songs I'm really excited about. It's always been melody based I think. When we did our last record, we wrote like 32 songs and they ended coming out on two separate CDs. And this time we didn't really do that! We kind of just took 15 ideas and used those as the focal point and then we wrote around those and just improved on those 14 and kept bringing things in and out of those songs as opposed to having a whole bunch of songs. Whether that's better or not, I don't know. It definitely seems a bit more focused. We don't have a bunch of extra songs or anything like that. When is was time to actually record, we have everything pretty well sorted and that was cool. There's definitely some good stuff on there.”

“Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance.”

“Roger: That is true to a degree; I usually have songs ideas demoed out, and I will pass them off to vinnie, and he will focus on the lyrics. Then we all get together, work out the nuts and bolts of the song, kick around some changes and everyone is involved in the finishing touches. Chris will do the same, bring in a song idea, and we'll all throw in ideas and the songs just evolve. Some songs change very little from the initial conception, (like a new song called "In-dependence Day") and others really go through many arrangement changes/lyric changes,”

“Roger: The press girl’s not that cool (chuckles) but that’s all. I’m just kidding! (Press girl making mean face). I’m just kidding! I just like that face…that gasp.”

“Roger: It’s complicated. It kind of has different phases. It will be like Chris [Demakes, guitarist/singer] or I will have a song idea and Vinnie Fiorello [drummer/lyricist] will write lyrics that go with that song idea or Vinnie will just have words that he wrote down and we’ll take that and sort of mold it into a song. I mean it kind of happens in different ways and not everyone is always involved, and sometimes everyone is involved it just depends. There’s no like formula for writing songs at least not in our band. It’s pretty much however it comes apart and falls apart and everything if it feels right it feels right the song is the ultimate guide. Am I being too hippie for you?”

“Roger: On a single tour.. Hmm.. Probably more than five. Cause when we first started, we had a really old van. It was a '79 Chevy. It was like the kind of thing where we'd pull over and get gas and it'd need two quarts of oil every time. That kind of thing. It'd break down pretty frequently. We have bad luck with vans. It's some sort of curse. But, then we got another one after that and that one was good to us for many years.”

“Roger: Yeah! There's one that we'll be supposedly filming when we get back from Europe. Not really sure exactly what's going to happen or anything in the video 'cause Vinnie and I had like a great idea for the video and they basically said that they would have to spend way too much money on it so.. there you go. They don't want to pay for the special effects that we were talking about. It's a bummer though. It would have been good.”

“Roger: We’re playing like three songs and the old stuff that everyone wants to hear too. We can’t play just all brand new songs you got to mix it up a little.”

“Roger: The new Metallica. The new Metallica record is pretty rockin’ I’ve been listening to that. I’ve been listening to the Josie and the Pussycats Soundtrack on repeat since about 2003. Les Paul the guitar player, Les Paul and Mary Ford – check that out, it’s good stuff. I’m like really picky. I don’t like very many new bands. I feel like I’m in trouble, not naming the hottest five bands out right now. Actually I heard a pretty good Hillary Duff song the other day, I was impressed. It was catchy. It was good pop.”

“Roger: Hmm.. I don't know. I like playing at home because sleeping at home after the show is a bonus. That's really nice. I'd have to say I really like playing Japan. There's just a different level of respect or something that goes on with the fans. They're just completely animalistic and going crazy during the show and then in between songs like as soon as a song stops, it's silent 'cause they want to hear what you have to say so they can try and understand what you're saying. It's really awesome - it's great. Even in the UK and London - places like that, fans are just rabid and go completely crazy and it's always fun. I'd have to say Tokyo and London are pretty awesome”