A Voice from the Attic (1960)
Context: An old friend of mine who died recently at a great age was, in infancy, held on the knee of an elderly godmother who had been, in her infancy, held on the knee of yet another godmother who had been held on the knee of Queen Anne, who died in 1714. Viewed unsympathetically, this is nothing, a chance association-by-knees; yet if we cherish life, and are not mere creatures of death and sepulcher, deluded by the notion that only our own experience is real and our demise the end of the world, we see in it a reminder that we are all beads on a string — separate yet part of a unity.
Robertson Davies: Quotes about life
Robertson Davies was Canadian journalist, playwright, professor, critic, and novelist. Explore interesting quotes on life.
Robertson Davies:
564
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The Table Talk of Samuel Marchbanks (1949)
Context: If you attack stupidity, you attack an entrenched interest with friends in government and every walk of public life, and you will make small progress against it.
Writing (1990).
Context: Once or twice I have tried to talk to film people about my ugly heroine. I explain to them the extraordinary psychological fascination of the medieval legend of the Loathly Damsel, whose splendour of spirit is confined within a hideous body, and she becomes beautiful only when she is understood and loved. I advise you not to talk to resolutely Hollywood minds about the Loathly Damsel. Their eyes glaze, and their cigars go out, and behind the lenses of their horn-rimmed spectacles I see the dominating symbol of their inner life: it is a dollar sign.
Judith Grant interview (1999)
Context: I literally never meet anybody who ever talks about God as something other than a kind of big man. I think God is a wondrous spirit, infinite, eternal, and unchangeable, but only interested in men as part of a giant creation which is pulsing with life.
People say, when a relative dies: "Oh, how could God have taken her away so young and with so much before her?" God doesn't give a bugger about how young she is. He probably isn't noticing particularly. That's just the way a lot of things happen. A lot gets spilled, you know, in nature. When you look at what's going on out there now, those trees are dropping seeds by literally the hundreds of thousands and millions, and one or two of them may take on. I think that that is the way that God functions. He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.
"Acta Interviews Robertson Davies".
Conversations with Robertson Davies (1989)
Context: [People] think of saints as people who lived an awfully long time ago and whose validity has disappeared. I think of them as people who didn't live such a long time ago, only a few hundred years or so. There must have been something about them that impressed people who were very much like me. What was it? And they must have been much more like somebody living today than we commonly think. What was behind it? What made these people special and what made a lot of other people regard them as special, either hating them or loving them? This is fascinating. It enlarges the whole world, and because it does so, it gives you great hope and sympathy with the future. You find yourself not an isolated miserable little wretch who has got seventy or eighty years to struggle along and then perish like nothing. You are the continuer of a very great tradition which you are going to pass on to the next lot. And you're right in the middle of the great stream of life. You see? Wonderful thing.
Ham and Tongue.
One-Half of Robertson Davies (1977)
Context: I have never consciously "used" humour in my life. Such humour as I may have is one of the elements in which I live. I cannot recall a time when I was not conscious of the deep, heaving, rolling ocean of hilarity that lies so very near the surface of life in most of its aspects. If I am a moralist — and I suppose I am — I am certainly not a gloomy moralist, and if humour finds its way into my work it is because I cannot help it.
Part 4, section 28. The last lines of the novel.
The Cunning Man (1994)
Context: "Can you tell me the time of the last complete show?"
"You have the wrong number."
"Eh? Isn't this the Odeon?"
I decide to give a Burtonian answer.
"No, this is the Great Theatre of Life. Admission is free but the taxation is mortal. You come when you can, and leave when you must. The show is continuous. Good-night."
Source: The Deptford Trilogy: Fifth Business/The Manticore/World of Wonders
“Any enjoyment or profit we get from life, we get Now; to kill Now is to abridge our own lives.”
A Voice from the Attic (1960)
"Prof. Robertson Davies: Courteous Conservative".
Conversations with Robertson Davies (1989)
First line.
Murther and Walking Spirits (1991)
A Voice from the Attic (1960)
A Voice from the Attic (1960)
"Robertson Davies: Beyond the Visible World".
Conversations with Robertson Davies (1989)
"Sunday Morning".
Conversations with Robertson Davies (1989)
A Voice from the Attic (1960)
Emma Calvé (1942).