Robertson Davies: Trending quotes (page 11)

“It is in this matter that I fall foul of so many American writers on writing; they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose.”

“For them, in a time when the individual has lost significance (despite loud assertions to the contrary), an informed, rational, and intellectually adventurous individuality must take precedence over all else. In their seeming disunion lies their real strength.”

“It is not always easy to diagnose. The simplest form of stupidity — the mumbling, nose-picking, stolid incomprehension — can be detected by anyone. But the stupidity which disguises itself as thought, and which talks so glibly and eloquently, indeed never stops talking, in every walk of life is not so easy to identify, because it marches under a formidable name, which few dare attack. It is called Popular Opinion.”

“Every man makes his own summer. The season has no character of its own, unless one is a farmer with a professional concern for the weather.”

“People who have taken the [writing] course write eagerly, "Last week I hit "The Country Gentleman"; this week I hit "Mademoiselle"; next week I hope to hit the "American Mother"! Frankly, I don't think this course would suit me; I don't want to hit any of those people, though I might toss a pie at the American Mother, just for fun…”

“Anybody who has had experience of poetesses knows that they may forgive a punch on the jaw, but never a suggestion that they would be wiser to give up versifying.”

“Art is always at peril in universities, where there are so many people, young and old, who love art less than argument, and dote upon a text that provides the nutritious pemmican on which scholars love to chew.”

“Try some Symbolic Logic on your little Couch Potato when you go home, and see what happens.”

“When the time came for Pompadour herself to die, she confessed, was given her viaticum, and was from that time forth forbidden to see her lover. And when her body was borne away from Versailles, Louis was thought to have behaved rather badly because he watched the sad procession from a balcony. Let no one suppose that these people lived lives that were any more free from religious and neighbourly censure than the adulterers in our smallest Canadian villages. Even wealth and privilege could not wholly insulate them from that frost.”

“I cannot imagine any boy of spirit who would not be delighted to play a drunkard — even to vomiting — in front of his Sunday school. Indeed, the vomiting might be the chief attraction of the role.”

“If I had to describe my remarks this evening frankly — as if I were in police court and on oath, so to speak — I should have to call it a ramble over several subjects, portions of which may seem to you to be impudent, and portions of which will be ignorant, and portions of which may contrive to be both at once.”

“Very often when I am introduced to women, I think, "What is she really like behind the disguise which she wears?" And very often I discover that she is pleasant enough, and probably would expand and glow if she received enough affection.”

“Foolish people laugh at those readers a century ago who wept over the novels of Dickens. Is it a sign of superior intellect to read anything and everything unmoved, in a grey, unfeeling Limbo?”

“Principally I played pedants, idiots, old fathers, and drunkards. As you see, I had a narrow escape from becoming a professor.”

“Still haunted by Haiku, and tried my hand at it, but I fall pitifully short of the Wordsworthian touch. But failure in this realm turned my mind to an old enthusiasm of mine, the Welsh englyn. This verse form was derived by the Welsh from the inscriptions which their Roman conquerors put on tombs … A good englym must have four lines, of ten, then six, syllables, the last two lines having seven syllables each. In the first line there must be a break after the seventh, eighth, or ninth syllable, and the rhyme with the second line comes at this break; but the tenth syllable of the first line must either rhyme or be in assonance with the middle of the second line. The last two lines must rhyme with the first rhyme in the first line, but the third or fourth line must rhyme on a weak syllable. Got that?”

“The Wild Hunt is known in all Celtic countries; it is a huntsman with a pack of hounds who is seen or heard to rush through the country. Those who see him are doomed to die. The writer heard the Wild Hunt quite distinctly one night in Wales several years ago, but has not suffered any ill effects from it as yet.”

“Today I live in the gray, muffled, smelless, puffy, tasteless half-world of those who have colds.”

“If you stay in Canada, I can, too. Everybody says Canada is a hard country to govern, but nobody mentions that for some people it is also a hard country to live in. Still, if we all run away it will never be any better. So let the geniuses of easy virtue go southward; I know what they feel too well to blame them. But for some of us there is no choice; let Canada do what she will with us, we must stay.”

“Poetry which has decided to do without music, to divorce itself from song, has thrown away much of its reason for being…”