Source: Poem "The Road Not Taken"
Context: Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.
Robert Frost: Trending quotes (page 3)
Robert Frost trending quotes. Read the latest quotes in collection
“Forgive, O Lord, my little jokes on Thee
And I'll forgive Thy great big one on me.”
"Forgive, O Lord," In the Clearing (1962)
First published in the Harvard Alumni Bulletin (12 November 1960), p. 157 http://books.google.com/books?id=9J_lAAAAMAAJ&q=%22Forgive+O+Lord+my+little+jokes+on+Thee+And+I'll+forgive+Thy+great+big+one+on+me%22&pg=PA157#v=onepage
1960s
Variant: Forgive, O Lord, my little jokes on Thee And I'll forgive Thy great big one on me.
“A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.”
Variant: A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.
“Love is an irresistible desire to be irresistibly desired.”
As quoted in a review of A Swinger of Birches (1957) by Sydney Cox in Vermont History, Vol. 25 (1957), p. 355
1950s
The Figure a Poem Makes (1939)
“The woods are lovely, dark and deep.
But I have promises to keep”
General sources
Source: "Stopping by Woods on a Snowy Evening" (1923) http://www.poetryfoundation.org/poem/171621
Context: The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
"Fire and Ice" (1923)
General sources
Preface to A Way Out : A One-act Play (1929)
General sources
Context: Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing. A least lyric alone may have a hard time, but it can make a beginning, and lyric will be piled on lyric till all are easily heard as sung or spoken by a person in a scene — in character, in a setting. By whom, where and when is the question.
““Men work together,” I told him from the heart,
“Whether they work together or apart.””
The Tuft of Flowers http://www.sparknotes.com/poetry/frost/section2.rhtml
General sources
Dedication (1960)
Source: The Oven Bird (1916)
Context: There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.
“They think too much of having shaded out
A few old pecker-fretted apple trees.”
Directive (1947)
Context: p>As for the woods' excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.</p
“He moves in darkness as it seems to me,
Not of woods only and the shade of trees.”
Mending Wall (1914)
Context: He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, “Good fences make good neighbours.”
Home Burial (1915)
Context: A man must partly give up being a man
With womenfolk. We could have some arrangement
By which I'd bind myself to keep hands off
Anything special you're a-mind to name.
Though I don't like such things 'twixt those that love.
Two that don't love can't live together without them.
But two that do can't live together with them."
She moved the latch a little. "Don't — don't go.
Don't carry it to someone else this time.
Tell me about it if it's something human.
Let me into your grief. I'm not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.
“Here are your waters and your watering place.
Drink and be whole again beyond confusion.”
Directive (1947)
Context: I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can't find it,
So can't get saved, as Saint Mark says they mustn't.
(I stole the goblet from the children's playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.
“Read it a hundred times; it will forever keep its freshness as a metal keeps its fragrance.”
The Figure a Poem Makes (1939)
Context: Like a piece of ice on a hot stove the poem must ride on its own melting … Read it a hundred times; it will forever keep its freshness as a metal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.
Letter http://books.google.com/books?id=R8ksAAAAIAAJ&q=%22I+own+any+form+of+humor+shows+fear+and+inferiority+Irony+is+simply+a+kind+of+guardedness+So+is+a+twinkle+It+keeps+the+reader+from+criticism%22+%22Humor+is+the+most+engaging+cowardice%22&pg=PA166#v=onepage to Louis Untermeyer (10 March 1924)
General sources
Context: I own any form of humor shows fear and inferiority. Irony is simply a kind of guardedness. So is a twinkle. It keeps the reader from criticism. Whittier, when he shows any style at all is probably a greater person than Longfellow as he is lifted priestlike above consideration of the scornful. Belief is better than anything else, and it is best when rapt, above paying its respects to anybody's doubt whatsoever. At bottom the world isn't a joke. We only joke about it to avoid an issue with someone to let someone know that we know he's there with his questions: to disarm him by seeming to have heard and done justice to this side of the standing argument. Humor is the most engaging cowardice.