Robert Cormier: Likeness

“He turned again to Bunting, saw his troubled countenance, the beads of sweat dancing on his upper lip. "And Bunting…" "Yes?" "Forget the alibi. The Vigils don't provide alibis," Archie said. The words final, like a trapdoor slamming shut.”

Source: The Rag and Bone Shop (2000), p. 154

“Three days of thirty, Trent knew there would be no response. Sarah Downes would not be calling back. Neither would the senator. His jaw began to ache, like an old enemy asserting its presence. "Don't forget your appointment with the chief," Effie said, sudden sympathy in her voice. She knew what awaited him at the meeting: a demotion not in rank but in everything else. Maybe the graveyard shift, midnight to eight. No more special privileges, no more interrogations. There probably wouldn't be any more calls for interrogations, anyway.”

Source: Beyond the Chocolate War (1985), p. 95

“The tomato hit Brother Leon on his left cheek, a ripe tomato that exploded in juicy fury, splattering his shirt and his hair and smearing his face with what looked like blood. Nobody said anything. Nobody moved. Nobody cheered or booed. Everybody sat there in a profound silence as Brother Leon, mouth agape, wiped the tomato from his face, still silent as he stalked from the stage, leaving an assembly hall full of students who sat stunned, silent for a few minutes, then quietly filed out of the hall. Broher Leon never learned the culprit's name. He, in fact, never made an effort to do so. Nobody else ever mentioned the incident. But Henry Malloran was elected president of the senior class at the next day's election and nobody ran against him.”

Source: The Rag and Bone Shop (2000), p. 148-149

“Janza grinned, amazed at the accuracy of Archie's predictions. You'll have a great year, Achie had said. Which Janza echoed now: "We're going to have a great year, Bunting." Bunting nodded. Continued to stare into space. Not wanting to look at Janza nor or anybody or anything. Staring into the future, next year, beyond. Him, Bunting, in command of the entire school. Stooges at his beck and call. An army at his disposal. No rules except those he made up. The boss. More than that. Like a dictator, for crissake. Beautiful.”

Source: Beyond the Chocolate War (1985), p. 273

“The Vigils kept things under control. Without The Vigils, Trinity might have been torn apart like other schools had been, by demonstrations, protests, all that crap.”

Source: Beyond the Chocolate War (1985), p. 278

“Better be careful, Jason warned himself. Why should I be careful? A nagging thought just below the surface of his mind gave him an uneasy feeling again, the feeling that something was wrong, that things were not what they seemed. Was that his imagination or just being in this small office, no air-conditioning, not even an electric fan? For some reason, the blank walls bothered him. No pictures. And no windows. I want to get out of here. He realized that he could get out of there. He could simply get up and leave. He didn't have to even speak to anybody. Hadn't they said this was voluntary? He was a volunteer. Well, he didn't feel like being a volunteer anymore. He wanted to go home.”

Source: The Chocolate War (1974), p. 27

“The transcript lay there, waiting for him as he hung up the telephone. Waiting for him to open it again. Trent Interview. Subject: Dorrant. Jason Dorrant. Poor kid, but at least he was young, free, not caught and fixed in time, as if frozen in ambers. Like so many others. Like me. You are what you do, Lottie had said. But now I don't do anything.”

Source: The Rag and Bone Shop (2000), p. 99-100

“You're a real bastard," Obie said finally, his frustration erupting, like a Coke exploding from a bottle after you shake it. "You know that?" Archie turned and smiled at him benevolently, like a goddamn king passing out favors. "Jesus," Obie said, exasperated. "Don't swear, Obie," Archie chided him. "You'll have to tell it in confession." "Look who's talking. I don't know how you had the nerve to receive communion in the chapel this morning." "It doesn't take nerve, Obie. When you march down the rail, you're receiving The Body, man. Me, I'm just chewing a wafer they buy by the pound in Worcester." Obie looked away in disgust. "And when you say 'Jesus', you're talking about your leader. But when I say 'Jesus,' I'm talking about a guy who walked the earth for thirty-three years like any other guy but caught the imagination of some PR cats. PR for Public Relations, in case you don't know, Obie.”

Source: The Rag and Bone Shop (2000), p. 149

“Jerry had been about to protest when Janza opened his mouth. "It's okay with me. I can beat this kid any way you want." And Jerry saw, to his dismay, that Archie had counted on Janza's reaction. He had known that Jerry couldn't back away now- he had come too far. Archie had bestowed one of his sickly sweet smiles on Jerry. "What do you say, Renault? Do you accept the rules?" What could he say? After the phone calls and the beating. After the desecration of his locker. The silent treatment. Pushed downstairs. What they did to Goober, to Brother Eugene. What guys like Archie and Janza did to the school. What they did to the world when they left Trinity.”

Obie didn't bother to answer. You couldn't ever win an argument with Archie.
Source: The Chocolate War (1974), p. 8

“Emile Janza was tired of being treated like one of the bad guys. That's the way Archie made him feel. "Hey, animal," Archie would say. Emile wasn't an animal. He had feelings like everybody else. Like the guy in the Shakespeare thing in English I, "Cut me, do I not bleed?" All right, so he liked to screw around a little, get under people's skin. That was human nature, wasn't it? A guy had to protect himself at all times. Get them before they get you. Keep people guessing- and afraid.”

Source: The Chocolate War (1974), p. 235-236

“The assignment must fit the kid. That's the beauty of it, Obie." Obie waited a minute or two and couldn't resist asking, "You running out of ideas, Archie?" The great Archie Costello running dry? The possibility was staggering to contemplate. "Just being artistic, Obie. It's an art, you know. Take a kid like this Renault. Special circumstances.”

Source: The Chocolate War (1974), p. 237

“"I guess I want things to be like they were before. Hell, we're almost ready to graduate." "Tell you what, Carter," Archie said. "Let things stay the same as before, like you just said. Let the last days come and go. Graduation. But that's not the end of it, Carter. You were a traitor and you're going to pay for that. Some way, someday. Not tomorrow, not next month. Or even next year, maybe. But someday. And who knows? Maybe next month, after all. That's a promise, Carter. When you least expect it. When everything is rosy and beautiful. Then comes the payoff. Because you can't be allowed to get away clean, without paying for it, Carter."”

He fell silent. "Put him down for the chocolates."
Source: The Chocolate War (1974), p. 15

“"Emile will serve you well. He's an animal, but animals come in handy if they're trained right." "Right," Bunting said, but thinking, When you're gone, Archie, I'll be boss and I'll chose my own right arms. "Bunting," Archie said, looking up again, "I'll be telling Emile about it. Emile Janza will be looking forward to his job as your assistant. And Emile doesn't like to be disappointed. He's very unpredictable and gets very physical when he's disappointed. Never disappoint Emile Janza, Bunting."”

Source: Beyond the Chocolate War (1985), p. 208

“Jason Dorrant found it hard to believe that Alicia Bartlett was dead. Not only dead but murdered. Attacked and hit hard enough to kill her. He could not imagine anyone bad enough, evil enough, to do something like that. Especially to a nice little kid like Alicia.”

Source: Beyond the Chocolate War (1985), p. 203

“Silence. Archie let it gather. He could always feel a heightening of interest in the room. It always happened this way when an assignment was about to be given. He knew what they were thinking- what's Archie come up with this time? Sometimes Archie resented them. The members of The Vigils did nothing but enforce the rules. Carter was muscle and Obie an errand boy. Archie alone was always under pressure, devising the assignments, working them out. As if he was some kind of machine. Press a button: out comes an assignment. What did they know about the agonies of it all? The nights he tossed and turned? The times he felt used up, empty? And yet he couldn't deny he exulted in moments like this, the guys leaning forward in anticipation, the mystery that surrounded them all, the kid Goober white-faced and frightened, the place so quiet you could almost hear your own heartbeat. And all eyes on him: Archie.”

Source: The Rag and Bone Shop (2000), p. 22

“"It'll be all right, Jerry." No it won't. He recognized Goober's voice and it was important to share the discovery with Goober. He had to tell Goober to play ball, to play football, to run, to make the team, to sell the chocolates, to do whatever they wanted you to do. He tried to voice the words but there was something wrong with his mouth, his teeth, his face. But he went ahead anyway, telling Goober what he needed to know. They tell you to do your thing but they don't mean it. They don't want you to do your thing, not unless it happens to be their thing, too. It's a laugh, Goober, a fake. Don't disturb the universe, Goober, no matter what the posters say. His eyes fluttered open and he saw Goober's face all askew, like a broken movie film. But he was able to see the concern the worry on his face. Take it easy, Goober, it doesn't even hurt anymore. See? I'm floating, floating above the pain. Just remember what I told you. It's important. Otherwise, they murder you.”

Source: The Chocolate War (1974), p. 33

“Mr. Trent puzzled him. He seemed friendly, like he really wanted to help find out who had murdered Alicia, wanted to help Jason remember what had really happened that day, but at the same time there was something strange about his questions. Jason used the word strange for want of a better word. He couldn't figure Trent out or what he wanted Jason to say. Sometimes he seemed unfriendly, like Jason had done something wrong, had broken a rule, a rule Jason didn't even know about. And those eyes of his. Like black marbles but alive, that didn't blink very much, that seemed to look right into your brain.”

Source: The Chocolate War (1974), p. 258-259

“Notices for Vigil meetings were always posted on the main bulletin board in the first-floor corridor, directly across from the Headmaster's office. Archie was entertained by the location of the notice right under Leon's nose. The notice was simple, involving the words TRINTY HIGH SCHOOL at the top of the board. On the day of the meeting, the Y of Trinity was inverted. Which made it look, as Archie said, like an upright finger. Thus, the Vigils giving the finger to the world while calling a meeting. That's what the upside-down Y was called: the Finger.”

Source: The Rag and Bone Shop (2000), p. 98

“"The Vigils are more important than the school," Archie snapped. "You should have come to me, Carter. Told me your doubts. I'm not the enemy. Instead, you went to the enemy-" "I thought it was the right thing to do." "The right thing to do," Archie mocked. "You guys make me want to vomit. With your precious honor and pride. Football hero. Boxing champ. Strutting the campus with your chest out and your head high. Carter, the ace of aces…" Carter had never heard such rancor, such venom in Archie's voice, Archie, who was always so cool, so detached, like he had been a moment before.”

Source: Beyond the Chocolate War (1985), p. 96