Robert Cormier: Doing

“"What are you doing here, Caroni?" Brother Leon asked, looking up from his desk. He squinted toward the doorway. "It is Caroni, isn't it?" "Yes, it is," David answered, closing the door soundlessly, hiding the object in his hand behind his back.”

Source: The Rag and Bone Shop (2000), p. 154

“Jason listened to Mr. Hobart going on about violence and the uselessness of revenge and he nodded, but all the time, he was happy. He had done something. He had taken action. He had socked Bobo Kelton. Given him a bloody nose. He didn't think he'd ever hit anybody again but he had proved himself capable of doing it. And at the same moment, in Mr. Hobart's office, letting the principal's words fil the air but not his ears, he had vowed never to cry again.”

Source: Beyond the Chocolate War (1985), p. 232

“The tomato hit Brother Leon on his left cheek, a ripe tomato that exploded in juicy fury, splattering his shirt and his hair and smearing his face with what looked like blood. Nobody said anything. Nobody moved. Nobody cheered or booed. Everybody sat there in a profound silence as Brother Leon, mouth agape, wiped the tomato from his face, still silent as he stalked from the stage, leaving an assembly hall full of students who sat stunned, silent for a few minutes, then quietly filed out of the hall. Broher Leon never learned the culprit's name. He, in fact, never made an effort to do so. Nobody else ever mentioned the incident. But Henry Malloran was elected president of the senior class at the next day's election and nobody ran against him.”

Source: The Rag and Bone Shop (2000), p. 26

“The transcript lay there, waiting for him as he hung up the telephone. Waiting for him to open it again. Trent Interview. Subject: Dorrant. Jason Dorrant. Poor kid, but at least he was young, free, not caught and fixed in time, as if frozen in ambers. Like so many others. Like me. You are what you do, Lottie had said. But now I don't do anything.”

Source: Beyond the Chocolate War (1985), p. 273

“I am Archie Costello," he said. "And I'll always be there, Obie. You'll always have me wherever you go and whatever you do. Tomorrow, ten years from now. Know why, Obie? Because I'm you. I'm all the things you hide inside you. That's me-" "Cut it out," Obie said. He hated it when Archie began to get fancy, spinning his wheels. "What you're saying is a lot of crap. I know who you are. And I know who I am.”

Source: The Rag and Bone Shop (2000), p. 149

“Jerry had been about to protest when Janza opened his mouth. "It's okay with me. I can beat this kid any way you want." And Jerry saw, to his dismay, that Archie had counted on Janza's reaction. He had known that Jerry couldn't back away now- he had come too far. Archie had bestowed one of his sickly sweet smiles on Jerry. "What do you say, Renault? Do you accept the rules?" What could he say? After the phone calls and the beating. After the desecration of his locker. The silent treatment. Pushed downstairs. What they did to Goober, to Brother Eugene. What guys like Archie and Janza did to the school. What they did to the world when they left Trinity.”

But do I, he wondered, do I?
Source: Beyond the Chocolate War (1985), p. 264

“Emile Janza was tired of being treated like one of the bad guys. That's the way Archie made him feel. "Hey, animal," Archie would say. Emile wasn't an animal. He had feelings like everybody else. Like the guy in the Shakespeare thing in English I, "Cut me, do I not bleed?" All right, so he liked to screw around a little, get under people's skin. That was human nature, wasn't it? A guy had to protect himself at all times. Get them before they get you. Keep people guessing- and afraid.”

Source: The Chocolate War (1974), p. 235-236

“The real reason was all the things Jason had seen Bobo do over the course of the year. Sly stuff. Tripping someone, pulling a guy's shirt out of his pants, slamming a locker door so that Johnny Moran's fingers got caught and jammed. Nobody did anything about Bobo. Merely accepted his actions. Or maybe didn't see his mean little tricks. But Jason prided himself on his powers of observation. When you're an outsider, and not part of the bunch, you're in a position to see what others don't see.”

Source: The Chocolate War (1974), p. 237

“It was a rotten world, full of treachery and evil, and you had to be on your toes at all times, ready to combat, outfox, outwit, outdeal everybody else. Archie endorsed the graffiti he had once seen scrawled on a downtown brick wall: Do Unto Others, Then Split.”

Source: The Rag and Bone Shop (2000), p. 23-24

“Jason Dorrant found it hard to believe that Alicia Bartlett was dead. Not only dead but murdered. Attacked and hit hard enough to kill her. He could not imagine anyone bad enough, evil enough, to do something like that. Especially to a nice little kid like Alicia.”

Source: Beyond the Chocolate War (1985), p. 40

“"It'll be all right, Jerry." No it won't. He recognized Goober's voice and it was important to share the discovery with Goober. He had to tell Goober to play ball, to play football, to run, to make the team, to sell the chocolates, to do whatever they wanted you to do. He tried to voice the words but there was something wrong with his mouth, his teeth, his face. But he went ahead anyway, telling Goober what he needed to know. They tell you to do your thing but they don't mean it. They don't want you to do your thing, not unless it happens to be their thing, too. It's a laugh, Goober, a fake. Don't disturb the universe, Goober, no matter what the posters say. His eyes fluttered open and he saw Goober's face all askew, like a broken movie film. But he was able to see the concern the worry on his face. Take it easy, Goober, it doesn't even hurt anymore. See? I'm floating, floating above the pain. Just remember what I told you. It's important. Otherwise, they murder you.”

Source: The Rag and Bone Shop (2000), p. 22

“"I don't know how you do it, Archie," Carter was forced to admit. "Simple, Carter, simple." Archie reveled in the moment, basking in Carter's admiration, Carter who had humiliated him at The Vigils meeting. Someday he'd get even with Carter but at the moment it was satisfying enough to have Carter regarding him with awe and envy. "You see, Carter, people are two things: greedy and cruel. So we have a perfect setup here. The greed part- a kid pays a buck for a chance to win a hundred. Plus fifty bucks of chocolates. The cruel part- watching two guys hitting each other, while they're safe in the bleachers. That's why it works, Carter, because we're all bastards."”

Source: The Chocolate War (1974), p. 258-259

“So you know how it all works. How first you confess and then are given absolution. You have to admit your sins before you can be forgiven." Jason nodded, wondering what being a Catholic and going to confession had to do with his situation here, his sudden predicament. "Well, there is something you have to do before we can take steps to protect you." A dim warning sounded somewhere in Jason's mind, his body, his spirit- he wasn't sure which or where but he was suddenly jolted thoroughly. Confession. A different word from confess. He suddenly saw where this man was going. He wanted Jason to confess. To confess to killing Alicia Bartlett. Jason almost giggled his disbelief, a reaction that was as unpremeditated and unexpected as a belch. "You want me to say I killed Alicia Bartlett?”

Source: The Chocolate War (1974), p. 241

“"The Vigils are more important than the school," Archie snapped. "You should have come to me, Carter. Told me your doubts. I'm not the enemy. Instead, you went to the enemy-" "I thought it was the right thing to do." "The right thing to do," Archie mocked. "You guys make me want to vomit. With your precious honor and pride. Football hero. Boxing champ. Strutting the campus with your chest out and your head high. Carter, the ace of aces…" Carter had never heard such rancor, such venom in Archie's voice, Archie, who was always so cool, so detached, like he had been a moment before.”

Horror, disbelief in his voice.
Source: The Rag and Bone Shop (2000), p. 137-138

“Trent could see the despair in the boy's eyes, his body drooping with weariness, the trembling of his chin, the tears staining his cheeks. He sensed the imminent moment of success, felt the sweet thrill of triumph, everything else cast aside for the moment, all doubts gone. This was what he was hired to do, what he was born to do. You are what you do. Ah, Lottie. Ah, Sarah. Five minutes later, the boy uttered the words Trent needed to hear. As the machine whirred, recording the bruised and broken voice.”

Source: Beyond the Chocolate War (1985), p. 207