Raymond Chandler: Good

Raymond Chandler was Novelist, screenwriter. Explore interesting quotes on good.
Raymond Chandler: 248 quotes14 likes

“A good story cannot be devised; it has to be distilled.”

Raymond Chandler

“Police business is a hell of a problem. It’s a good deal like politics. It asks for the highest type of men, and there’s nothing in it to attract the highest type of men. So we have to work with what we get…”

Raymond Chandler book The Lady in the Lake

Source: The Lady in the Lake

“I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.”

Raymond Chandler book The High Window

Source: The High Window (1942), chapter 36
Context: When I left, Merle was wearing a bungalow apron and rolling pie-crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty until her mother came into the space with a broad homely smile on her face to watch me drive away.
I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.

“Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world.”

Raymond Chandler book The Simple Art of Murder

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

“A good title is the title of a successful book.”

Raymond Chandler

“The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov. But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

“[As a screenwriter] I have a sense of exile from thought, a nostalgia of the quiet room and balanced mind. I am a writer, and there comes a time when that which I write has to belong to me, has to be written alone and in silence, with no one looking over my shoulder, no one telling me a better way to write it. It doesn't have to be great writing, it doesn't even have to be terribly good. It just has to be mine.”

Raymond Chandler

"A Qualified Farewell" (essay, early 1950's), published in The Notebooks of Raymond Chandler (1976)

“Okay, thees Hench no good, but poor guy, drunk, no job. Pay no rent, but I got lotsa money. So I say, Look, Hench, you make the confess. You sick man. Two three weeks sick. You go into court. I have a lawyer for you. You say to hell with the confess. I was drunk. The damn coppers are stuck. The judge he turn you loose and you come back to me and I take care of you. Okay? So Hench say okay, make the confess. That's all.'
I said: 'And after two or three weeks the bad brother is a long way from here and the trail is cold and the cops will likely just write the Phillips killing off as unsolved. Is that it?”

Raymond Chandler book The High Window

'Si.' He smiled again. A brilliant warm smile, like the kiss of death.
Source: The High Window (1942), chapter 24

“On the way downtown I stopped at a bar and had a couple of double Scotches. They didn't do me any good. All they did was make me think of Silver-Wig, and I never saw her again.”

Raymond Chandler book The Big Sleep

Source: The Big Sleep (1939), Chapter 32, Phillip Marlowe

““Who is this Hemingway person at all?”
“A guy that keeps saying the same thing over and over until you begin to believe it must be good.”
“That must take a hell of a long time,” the big man said.”

Raymond Chandler book Farewell, My Lovely

Source: Farewell, My Lovely (1940), chapter 24

“Love interest nearly always weakens a mystery because it introduces a type of suspense that is antagonistic to the detective's struggle to solve the problem. It stacks the cards, and in nine cases out of ten, it eliminates at least two useful suspects. The only effective love interest is that which creates a personal hazard for the detective - but which, at the same time, you instinctively feel to be a mere episode. A really good detective never gets married.”

Raymond Chandler

"Casual Notes on the Mystery Novel" (essay, 1949), first published in Raymond Chandler Speaking (1962)

“The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov.”

Raymond Chandler book The Simple Art of Murder

But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.
Introduction
The Simple Art of Murder (1950)