Randall Jarrell: Trending quotes (page 11)

“One of our universities recently made a survey of the reading habits of the American public; it decided that forty-eight percent of all Americans read, during a year, no book at all. I picture to myself that reader — that non-reader, rather; one man out of every two — and I reflect, with shame: "Our poems are too hard for him." But so, too, are Treasure Island, Peter Rabbit, pornographic novels — any book whatsoever.”

Randall Jarrell

"The Obscurity of the Poet," Harvard University lecture (15 August 1950), published in Poetry and the Age (1953)
General sources

Books , Universe , Reading

“Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change."”

Randall Jarrell

"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , Way , Feeling , Thinking

“The new masters paint a subject as they please,
And Veronese is prosecuted by the Inquisition
For the dogs playing at the feet of Christ,
The earth is a planet among galaxies.
Later Christ disappears, the dogs disappear: in abstract
Understanding, without adoration, the last master puts
Colors on canvas, a picture of the universe
In which a bright spot somewhere in the corner
Is the small radioactive planet men called Earth.”

Randall Jarrell

"The Old and the New Masters," lines 53-61
The Lost World (1965)

Men , Dogs , Color , Understanding

““Recent Poetry”, p. 226”

Randall Jarrell

Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“In Stage II guilt is first of all social, liberal, moral guilt—a guilt so general as to seem almost formal. It is we who are responsible, either by commission or—more generally—by omission, for everything from killing off the Tasmanians to burning the books at Alexandria.”

Randall Jarrell

You didn’t do it? Then you should have stopped them from doing it. You never heard of it? Ignorant as well as evil, eh? You weren’t born? You’re guilty, I tell you—guilty.
“Freud to Paul: The Stages of Auden’s Ideology”, p. 169
The Third Book of Criticism (1969)

Books

“It is ugly ducklings, grown either into swans or into remarkably big, remarkably ugly ducks, who are responsible for most works of art; and yet how few of these give a truthful account of what it was like to be an ugly duckling!—it is almost as if the grown, successful swan had repressed most of the memories of the duckling’s miserable, embarrassing, magical beginnings.”

Randall Jarrell

The memories are deeply humiliating in two ways: they remind the adult that he was once more ignorant and gullible and emotional than he is; and they remind him that he once was, potentially, far more than he is.
“An Unread Book”, p. 19
The Third Book of Criticism (1969)

Truth , Success , Memory , Art

“My destiny is accomplished and I die content.”

Randall Jarrell book Pictures from an Institution

How often she made such quotations as these, said or felt or was them! For just as many Americans want art to be Life, so this American novelist wanted life to be Art, not seeing that many of the values—though not, perhaps, the final ones—of life and art are irreconcilable; so that her life looked coldly into the mirror that it held up to itself, and saw that it was full of quotations, of data and analysis and epigrams, of naked and shameful truths, of facts: it saw that it was a novel by Gertrude Johnson.
Source: Pictures from an Institution (1954) [novel], Chapter 5: “Gertrude and Sidney”, p. 214

“I don’t need to praise anything so justly famous as Frost’s observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person’s random or consequential chains of thoughts and feelings and perceptions, quite as well.”

Randall Jarrell

And this person, in the poems, is not the “alienated artist” cut off from everybody who isn’t, yum-yum, another alienated artist; he is someone like normal people only more so — a normal person in the less common and more important sense of normal.
“The Other Frost”, p. 29
Poetry and the Age (1953)

Personality , Feeling , Nature

“...man is the animal that moralizes. Man is also the animal that complains about being one, and says that there is an animal, a beast inside him — that he is brother to dragons.”

Randall Jarrell

He is certainly a brother to wolves, and to pandas too, but he is father to dragons, not brother: they, like many gods and devils, are inventions of his.

“On the Underside of the Stone”, p. 177
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Animals

“What we are most anxious about is our anxiety itself: the greatest of all sins, Auden learns from Kafka, is impatience — and he decides that the hero “is, in fact, one who is not anxious.””

Randall Jarrell

But it was inevitable that Auden should arrive at this point. His anxiety is fundamental; and the one thing that anxiety cannot do is to accept itself, to do nothing about itself — consequently it admires more than anything else in the world doing nothing, sitting still, waiting.

“Freud to Paul: The Stages of Auden’s Ideology”, p. 180
The Third Book of Criticism (1969)

Learning

“It is ugly ducklings, grown either into swans or into remarkably big, remarkably ugly ducks, who are responsible for most works of art; and yet how few of these give a truthful account of what it was like to be an ugly duckling!”

Randall Jarrell

it is almost as if the grown, successful swan had repressed most of the memories of the duckling’s miserable, embarrassing, magical beginnings. (The memories are deeply humiliating in two ways: they remind the adult that he was once more ignorant and gullible and emotional than he is; and they remind him that he once was, potentially, far more than he is.)

“An Unread Book”, p. 19
The Third Book of Criticism (1969)

Truth , Art

“Death and the devil, what are these to him?
His being accuses him — and yet his face is firm
In resolution, in absolute persistence;
The folds of smiling do for steadiness;
The face is its own fate — a man does what he must —
And the body underneath it says: I am.”

Randall Jarrell

"The Knight, Death and the Devil," lines 34-39
The Seven-League Crutches (1951)

Smile , Death , Fate

“For this last savior, man,
I have lied as I lie now. But what is lying?
Men wash their hands in blood, as best they can:
I find no fault in this just man.”

Randall Jarrell

"Eighth Air Force," lines 16-20
Losses (1948)

Lie , Lying , Men

“And the world said, Child, you will not be missed.
You are cheaper than a wrench, your back is a road;
Your death is a table in a book.
You had our wit, our heart was sealed to you:
Man is the judgment of the world.”

Randall Jarrell

"Variations," lines 40-44
Blood for a Stranger (1942)