Ossip Zadkine: Form

Ossip Zadkine was French sculptor. Explore interesting quotes on form.
Ossip Zadkine: 62   quotes 0   likes

“The spectator of a sculpture, modern or ancient, is not called to examine his own or the sculptor's knowledge of anatomy but to participations, so to say, a participation where the motions which have strangulated the carver, while working, must operate the same mysterious attraction and inexpressible miracle of forms and lines, its dramaticism, its graphic tragedy, or its smiling gaiety and happiness: its words carved out of forms and sown with lines into phrases of philosophy, religion.”

Ossip Zadkine

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

Religion , Smile , Knowledge , Happiness

“Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.... the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons.”

Ossip Zadkine

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 153-154

God , Food , Communication , Cooking

“The mysterious musicality, the organic intermarriage of its forms convex and concave, the high singing phrase of a straight line bordering a plane and its sudden dropping into a scarcely traceable curve, and feel deeply, sharply, the profound peace, the philosophy awakened by the even distribution of light and shade, wandering from one curved plane into a deep clarity of light, enriching a carefully carved stone plane. One will understand at once that those awakened sensation have nothing to do with anatomical considerations, exactitudes observed or not.”

Ossip Zadkine

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

Peace , Music , Feeling , Understanding

“This exchange – mainly in the form of letters [between the brothers van Gogh] – was not only about painting and art, but covered everything to do with one's existence and the philosophical or religious colouring, in a word: for the reader of the letters written by Vincent to his brother a total of human behaviour is revealed that of the dual being of van Gogh. This is how my first wish and then obsession was started, to build a monument for the two van Gogh brothers.”

Ossip Zadkine

Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69

Art , Painting

“Because the scope of the sculptor's subject remains so limited, we must be careful to concentrate as much meaning or emotion as possible in the few forms that remain at our disposal.”

Ossip Zadkine

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

“As a matter of fact, these attributes are their fate, no longer separate objects they can carry.... part of their actual presence. I try to signify this by reorganizing the objective form of such a legendary figure so as to create an allegorical form that is complete in itself, no longer requiring an attribute that must be carried like the German businessman’s briefcase; the lyre becomes part of the poet's presence, its text written all over his body, as if tattooed on his skin.”

Ossip Zadkine

quote, c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Fate , Quotes , Tattoo , Parting

“I alternate my aims; at one time, I concentrate on poetry, on a more expressionist kind of sculpture; at other times on form – I mean on a kind of sculpture that concerns itself with formal relations rather than emotions or ideas. I suppose that this principle of alternating my aims leads to a kind of oscillation in the evolution of my own particular style as a sculptor, but I feel that it prevents me from repeating myself.”

Ossip Zadkine

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 154

Feeling , Idea , Time

“The composition, harmonies and proportions of those 'intended shapes' is the great and most difficult problem which the modern sculptor attacks, for sculpture is only forms, only spaces embraced by lines which demonstrate them. The secrets of a never dying piece of sculpture is to be had only by undergoing experience.”

Ossip Zadkine

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

Secret , Problem