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Oscar Niemeyer Quotes

Oscar Ribeiro de Almeida Niemeyer Soares Filho , known as Oscar Niemeyer , was a Brazilian architect considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasília, a planned city that became Brazil's capital in 1960, as well as his collaboration with other architects on the headquarters of the United Nations in New York. His exploration of the aesthetic possibilities of reinforced concrete was highly influential in the late 20th and early 21st centuries.

Both lauded and criticized for being a "sculptor of monuments", Niemeyer was hailed as a great artist and one of the greatest architects of his generation by his supporters. He said his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this "didn't prevent [his] architecture from going in a different direction". Niemeyer was most famous for his use of abstract forms and curves and wrote in his memoirs:



I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.

Niemeyer was educated at the Escola Nacional de Belas Artes at the Federal University of Rio de Janeiro, and after graduating, he worked at his father's typography house and as a draftsman for local architectural firms. In the 1930s, he interned with Lúcio Costa, with the pair collaborating on the design for the Palácio Gustavo Capanema in Rio de Janeiro. Niemeyer's first major project was a series of buildings for Pampulha, a planned suburb north of Belo Horizonte. His work, especially on the Church of Saint Francis of Assisi, received critical acclaim and drew international attention. Throughout the 1940s and 1950s, Niemeyer became one of Brazil's most prolific architects, working both domestically and overseas. This included the design of the Edifício Copan and a collaboration with Le Corbusier on the United Nations Headquarters, which yielded invitations to teach at Yale University and the Harvard Graduate School of Design.

In 1956, Niemeyer was invited by Brazil's new president, Juscelino Kubitschek, to design the civic buildings for Brazil's new capital, which was to be built in the centre of the country, far from any existing cities. His designs for the National Congress of Brazil, the Cathedral of Brasília, the Palácio da Alvorada, the Palácio do Planalto, and the Supreme Federal Court, all designed by 1960, were experimental and linked by common design elements. This work led to his appointment as inaugural head of architecture at the University of Brasília, as well as honorary membership of the American Institute of Architects. Due to his largely left-wing ideology, and involvement with the Brazilian Communist Party , Niemeyer left the country after the 1964 military coup and opened an office in Paris. He returned to Brazil in 1985, and was awarded the prestigious Pritzker Architecture Prize in 1988. A socialist and atheist from an early age, Niemeyer had spent time in both Cuba and the Soviet Union during his exile, and on his return served as the PCB's president from 1992 to 1996. Niemeyer continued working at the end of the 20th and early 21st century, notably designing the Niterói Contemporary Art Museum and the Oscar Niemeyer Museum . Over a career of 78 years he designed approximately 600 projects. Niemeyer died in Rio de Janeiro on December 5, 2012, at the age of 104. Wikipedia  

✵ 15. December 1907 – 5. December 2012
Oscar Niemeyer photo
Oscar Niemeyer: 14   quotes 0   likes

Famous Oscar Niemeyer Quotes

“I had some good opportunities. I was lucky to have had the chance to do things differently. Architecture is about surprise.”

Oscar Niemeyer

Quoted in "Architect of Optimism," Angel Gurria-Quintana, Financial Times (2007-04-13).

“I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.”

Oscar Niemeyer

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 169

“Life is very fleeting. It’s important to be gentle and optimistic. We look behind and think what we’ve done in this life has been good. It was simple; it was modest. Everyone creates their own story and moves on. That’s it. I don’t feel particularly important. What we create is not important. We’re very insignificant.”

Oscar Niemeyer

Quoted in "Why Oscar Niemeyer is king of curves" http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/architecture_and_design/article3035080.ece, Tom Dyckhoff, The Times Online (London, 2007-12-12).

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

Oscar Niemeyer

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

“I have always accepted and respected all other schools of architecture, from the chill and elemental structures of Mies van der Rohe to the imagination and delirium of Gaudi. I must design what pleases me in a way that is naturally linked to my roots and the country of my origin.”

Oscar Niemeyer

Quoted in "Gordon Bunshaft and Oscar Niemeyer: Pritzker Architecture Prize Laureates 1988" http://www.pritzkerprize.com/bunnei.htm#...about%20Oscar%20Niemeyer, pritzkerprize.com (1988).

“My ambition has always been to reduce a building’s support to a minimum. The more we diminish supporting structures, the more audacious and important the architecture is. That has been my life’s work.”

Oscar Niemeyer

Quoted in "Architect of Optimism," Angel Gurria-Quintana, Financial Times (2007-04-13).

Oscar Niemeyer Quotes about beauty

“My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."”

Oscar Niemeyer

Source: Quoted in Tracy Metz, "'Form Follows Feminine': Niemeyer, 90, Is Still Going Strong," Architectural Record (December 1997), p. 35.

“I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete.… This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.”

Oscar Niemeyer

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 62.

“It's funny, the power of beauty, to make us forget such injustice.”

Oscar Niemeyer

Original: (pt) É estranho o poder da beleza, que nos faz esquecer tanta injustiça.
Source: Quoted in Alberto Xavier, Depoimento de uma geração: arquitetura moderna brasileira

Oscar Niemeyer Quotes

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”

Oscar Niemeyer

As quoted in Plans, Sections and Elevations : Key Buildings of the Twentieth Century (2004) by Richard Weston
Variant translations:
It is not the right angle that attracts me,
Nor the hard, inflexible straight line, man-made.
What attracts me are free and sensual curves.
The curves in my country’s mountains,
In the sinuous flow of its rivers,
In the beloved woman’s body.
As quoted in "Architect of Optimism" http://www.ft.com/cms/s/0/db740a7a-e897-11db-b2c3-000b5df10621.html?nclick_check=1, Angel Gurria-Quintana, Financial Times (2007-04-13)
It is not the right angle that attracts me.
nor the straight line, tough, inflexible,
created by man.
what attracts me is the free, sensual curve.
the curve I find in the mountains of my country,
in the sinuous course of its rivers,
in the waves of the sea,
in the clouds of the sky,
in the body of the favourite woman.
Of curves is made all the universe.
As quoted on a Photo page on the Museum of Contemporary Art over Baia da Guanabara http://app.tabblo.com/studio/stories/view/122423/?nextnav=favs&navuser=1

Mountain , Country

“We hated Bauhaus. It was a bad time in architecture. They just didn’t have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it.”

Oscar Niemeyer

Quoted in "Why Oscar Niemeyer is king of curves," Tom Dyckhoff, The Times Online (London, 2007-12-12).

Hate , Time , Housing

“Architecture was my way of expressing my ideals: to be simple, to create a world equal to everyone, to look at people with optimism, that everyone has a gift. I don’t want anything but general happiness. Why is that bad?”

Oscar Niemeyer

Quoted in "Why Oscar Niemeyer is king of curves", Tom Dyckhoff, The Times Online (London, 2007-12-12).

People , World , Way , Optimism

“Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.”

Oscar Niemeyer

The Curves of Time: The Memoirs of Oscar Niemeyer (2000), p. 176.

Life , World , Courage

“Humanity needs dreams to endure misery, even if just for an instant.”

Oscar Niemeyer

Original: (pt) Quoted in Ciro Faro, De volta para a terra
Original: A humanidade precisa de sonhos para suportar a miséria, nem que seja por um instante.

Dreams

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